y separately published work icon True-Blue Beard ; Or, An Old Friend in a New Dress : A Christmas Grotesque single work   musical theatre   pantomime   fantasy   - One act
Adaptation of Bluebeard Charles Perrault , 1697 single work short story
Issue Details: First known date: 1872... 1872 True-Blue Beard ; Or, An Old Friend in a New Dress : A Christmas Grotesque
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AbstractHistoryArchive Description

Described as a 'Christmas Grotesque' with songs to operatic and other music, the story begins in Shades Tavern and Unlicensed Spirit Vaults, where Larrikinos, the Demon of Discord, is attempting to brew a new batch of trouble in his cauldron. In order to make a proper broth, some of the contents of the Melbourne gutters, the Times and Mines newspaper, and mining prospectuses are thrown into the pot. A band of fairies enter disguised as witches. Their Queen, Alphabetta, changes the cauldron into a bowl of punch before driving the demons off. She then foretells that Larrikinos's schemes will be defeated.

The audience is introduced to Bluebeard as he is about to have a bath in preparation for his marriage to the beautiful Fatima (who will be his twelfth wife). Finding the water too hot for his liking, he demonstrates his tyrannical personality by boiling a score of attendants for his own amusement. The next scene, set in the abode of virtue, sees Fatima (who is really in love with the handsome Selim) being led against her will to her wedding. Following the nuptials, Bluebeard carries her off triumphantly to his castle. Meanwhile, Selim is filled with despair at his loss. Not long after being taken to Bluebeard's castle, Fatima, left alone while her husband away, opens the mysterious Blue Chamber against his express command. When Bluebeard returns and finds out that his new wife has disobeyed him, he is furious and orders her execution. As Bluebeard sharpens his sword in preparation for his bride's beheading, Selim and his two brothers enter the castle and rescue Fatima, after first defeating the tyrant in a 'terrific' scene of combat. This leads to a grand transformation scene.

The settings and effects were as follows:

Scene 1. The placid lakes of pure delight.

Scene 2. The grotto of crystaline columns.

Scene 3. The boudoir of lace.

Scene 4. The corridor of illuminated statues.

Scene 5. The pavilion of flora and Arcadian avenues (including feast of ferns, fruits and flowers).

Scene 6. The temple of jewels enshrining the rainbow cataract and cascade of liquid light.

The harlequinade was followed by a scene titled Christmas in Old England, which was followed in turn by scenes in the realms of darkness and the grand finale of the halls of dazzling delight and realms of bliss.

The pantomime contained many topical and local references, including the Melbourne scene, personalities, and issues such as the Education Bill, water conservation, Victorian railways, and the corruption of liquor licensing. The harlequinade was also played out in various local settings, notably the Prince of Wales Hotel and a well-known pawnbroker's.

Notes

  • Although the original stage production was produced as True Blue Beard, or, Harlequin Hyman, The Great Bashaw of Many Tales, it was published under the title True Blue Beard, or, An Old Friend in a New Dress.

  • Although no particular English pantomime or burlesque has yet been identified as a source for this production,Bluebeard was a popular subject for pantomimes, and was adapated for Australian productions on numerous occaisons during the nineteenth and early twentieth centuries. Most of these works were based, however, on the Bluebeard fairytale written by French author Charles Perrault (1628-1703).

Production Details

  • 1872: Prince of Wales Opera House, Melbourne, 24 December 1872 - 8 February 1873

    • Director Lachlan McGowan and Mary Gladstone; Music Arranger B. Levy; Choreography Mons. Massartic; Costumes Mr Ford; Scenic Art Alfred Clint, Alexander Habbe, and Charles Fry; Manager L. M. Bayless.
    • Cast incl. Lachlan McGowan (Abomelique), Dolly Green (Fatima), Mrs Lachlan McGowan (Selim), Sam Poole (Sister Anne), H. Daniels (Spratsadeen), G. Gladstone (The Cadi), Mrs G. Gladstone (The Lady Mayoress), W. W. Allen (Larrikinos), Mr Wimbleton (Feebles), Mr Carey (L. L.), Signor Lebeau, Polly Leake (Alphabetta), Charlotte Forde (Sadi), and Sarah Forde (Ali Ben); Harlequinade Mons. Massartic (Harlequin), Patty Holt (Columbine), Nelly Greenless (Harlequina), Edward Magilton (pantaloon), Tom Lewis (Clown).
    • 38 performances.
    • The 24 December production was a public dress rehearsal.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Australia Felix : Introduction Veronica Kelly , 1988 single work criticism biography
— Appears in: Australia Felix ; Or, Harlequin Laughing Jackass and the Magic Bat 1988; (p. 1-45)
Prince of Wales Theatre 1872 single work review
— Appears in: The Age , 27 December 1872; (p. 3)

— Review of True-Blue Beard ; Or, An Old Friend in a New Dress : A Christmas Grotesque Garnet Walch , 1872 single work musical theatre
Prince of Wales Theatre : The Christmas Pantomime 1872 single work review
— Appears in: The Argus , 25 December 1872; (p. 7)

— Review of True-Blue Beard ; Or, An Old Friend in a New Dress : A Christmas Grotesque Garnet Walch , 1872 single work musical theatre
Prince of Wales Theatre : The Christmas Pantomime 1872 single work review
— Appears in: The Argus , 25 December 1872; (p. 7)

— Review of True-Blue Beard ; Or, An Old Friend in a New Dress : A Christmas Grotesque Garnet Walch , 1872 single work musical theatre
Prince of Wales Theatre 1872 single work review
— Appears in: The Age , 27 December 1872; (p. 3)

— Review of True-Blue Beard ; Or, An Old Friend in a New Dress : A Christmas Grotesque Garnet Walch , 1872 single work musical theatre
Australia Felix : Introduction Veronica Kelly , 1988 single work criticism biography
— Appears in: Australia Felix ; Or, Harlequin Laughing Jackass and the Magic Bat 1988; (p. 1-45)

PeriodicalNewspaper Details

Note:

This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive

Details have also been derived in part from the Annotated Calendar of Plays Premiered in Australia: 1870-1890.

Last amended 1 Apr 2014 06:39:34
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