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y separately published work icon Australian Fairy Tales selected work   children's fiction   children's  
Issue Details: First known date: 1925... 1925 Australian Fairy Tales
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AbstractHistoryArchive Description

The Introduction, by former Prime Minister of Australia William Morris Hughes, states: 'Hitherto, the Fairies we have known, though very delightful beings, have had their habitat in far-off lands. Thanks to the researches of Mr. Hume Cook, we are now able to wander through the enchanted Bush with real Australian Fairy Princes and Princesses; share in the thrills of their amazing adventures; rejoice in the triumph of virtue; and be glad at the downfall of vice.

'The dwellers in Australian Fairy Land, although akin to those of other climes, have a distinct character of their own. Even the wicked Desert Fairies endear themselves to us. Although they do not vomit fire, as did the dreadful dragon of our childhood, one feels that, given a sporting chance, they would make that boastful beast curl up like a salted worm'.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Fantasising the Nation for Child Readers in Early Australian Fairy Tales Michelle J. Smith , 2022 single work criticism
— Appears in: Australian Literary Studies , 11 December vol. 37 no. 3 2022;

'This article examines three collections of Australian fairy tales published between 1897 and 1925 and considers the ways in which they contributed to nation-building efforts. Atha Westbury’s Australian Fairy Tales (1897), J. M. Whitfeld’s The Spirit of the Bush Fire and Other Australian Fairy Tales (1898), and Hume Cook’s Australian Fairy Tales (1925) fantasise a nation into being through the fairy-tale genre. The associations of the European fairy-tale tradition with a distant past (‘once upon a time’) are mobilised to create a ‘ready-made’ set of traditions and cultural explanations through which the implied Australian child can understand a nation that was only federated in 1901. This ranged from creating origin stories for natural landmarks like J. M. Whitfeld, through to imagining well-developed fairy cities in the most isolated parts of Australia, far from the eyes of white settlers, as in Atha Westbury and Hume Cook’s collections. Stories by Cook and Westbury blur the distinction between fairy-tale characters and First Nations people, at once yoking imported traditions to the enduring history of First Nations peoples and replacing them in the cultural imaginary with mythical characters who have never existed.' (Publication abstract)

How Early Australian Fairy Tales Displaced Aboriginal People with Mythical Creatures and Fantasies of Empty Land Michelle Smith , 2022 single work column
— Appears in: The Conversation , 6 July 2022;

'Most of us grew up reading fairy tales adapted from the European tradition: stories of kings, queens and princesses set in palaces and forests, such as Cinderella, Snow White, Beauty and the Beast. But what about the history of Australian fairy tales?'(Introduction)

Magical Migrations : Australian Fairy Tale Traditions and Practices Nike Sulway , 2020 single work criticism
— Appears in: The Routledge Companion to Australian Literature 2020; (p. 374-383)

'This chapter explores the shifts between historical and contemporary fairy tale writing and editing. In first considering colonial-era publications, the chapter describes the ways that narratives appropriated from Indigenous culture were framed within a colonial and Western European concept of fairy tale collecting, how experiences of migration were reflected in colonial-era fairy tales, and how early white storytellers attempted to use fairy tales to create an always-already-colonised history of the Australian continent. The chapter then explores how these early traditions have shifted in the (post)colonial context of contemporary writing and publishing, with a move away from editing and publishing Indigenous narratives within a fairy tale context, a more complex approach to using fairy tale characters and stories to explore experiences of migration, and a strong growth in feminist revisionist fairy tales. The chapter argues, finally, that while few works have taken up Donald Haase’s challenge to decolonise fairy tale studies and practice, those that have offer a vision of a uniquely and startlingly Australian mode of transcultural textual production.'

Source: Abstract

Hume Cook and Christian Yandell's Australian Fairy Tales 1925 2015 single work
— Appears in: Biblionews and Australian Notes & Queries , June no. 386 2015; (p. 62-80)
“She Flings her Elfin Dreams of Mystery” : The Child-Poet Gwen Cope in the Land of “Australian Faery,” 1931–1939 Nicole Anae , 2013 single work criticism
— Appears in: Bookbird , January vol. 51 no. 1 2013; (p. 21-30)
'Gwen Cope enjoyed a significant reputation as a gifted Australian child-poet throughout the 1930s. Nevertheless, her two collections remain unacknowledged in the history of Australian literature despite their popularity. This article situates Cope's fairy-poetry against the ideological backdrop defined by adult fairy-poets of the 1930s to reveal fundamental discords between the child-poet writing her vision of fairy-folklore and the canonical writers who aimed to re-conceptualize " faery-lore" in the interests of Australian national literature.' (Author's abstract)
Australia's Fairy Tales Illustrated in Print : Instances of Indigeneity, Colonization, and Suburbanization Rebecca Do Rozario , 2011 single work criticism
— Appears in: Marvels & Tales , vol. 25 no. 1 2011; (p. 13-32)
Australian fairy tale could be following a new direction, evident in the recent work of Australian author and illustrator Shaun Tan. From a historical point of view, this article examines the disparity of early attempts to capture indigenous storytelling as fairy tale for white children and the invasion of the native landscape with English fairy creatures. It shows how this disparity has matured into a rediscovery of the underlying strangeness of the migratory infrastructures of Australian suburbs that are evident in such tales as those presented in Tan's Tales from Outer Suburbia (2008) (Author's abstract).
“She Flings her Elfin Dreams of Mystery” : The Child-Poet Gwen Cope in the Land of “Australian Faery,” 1931–1939 Nicole Anae , 2013 single work criticism
— Appears in: Bookbird , January vol. 51 no. 1 2013; (p. 21-30)
'Gwen Cope enjoyed a significant reputation as a gifted Australian child-poet throughout the 1930s. Nevertheless, her two collections remain unacknowledged in the history of Australian literature despite their popularity. This article situates Cope's fairy-poetry against the ideological backdrop defined by adult fairy-poets of the 1930s to reveal fundamental discords between the child-poet writing her vision of fairy-folklore and the canonical writers who aimed to re-conceptualize " faery-lore" in the interests of Australian national literature.' (Author's abstract)
In Memory of Lu Rees Elizabeth Bray , 1984 single work column
— Appears in: The Lu Rees Archives Notes, Books and Authors , no. 4 1984; (p. 4)
Hume Cook and Christian Yandell's Australian Fairy Tales 1925 2015 single work
— Appears in: Biblionews and Australian Notes & Queries , June no. 386 2015; (p. 62-80)
How Early Australian Fairy Tales Displaced Aboriginal People with Mythical Creatures and Fantasies of Empty Land Michelle Smith , 2022 single work column
— Appears in: The Conversation , 6 July 2022;

'Most of us grew up reading fairy tales adapted from the European tradition: stories of kings, queens and princesses set in palaces and forests, such as Cinderella, Snow White, Beauty and the Beast. But what about the history of Australian fairy tales?'(Introduction)

Last amended 22 Apr 2015 11:56:43
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