'There was once a small boy called Wilfrid Gordon McDonald Partridge and his house was next door to an old people’s home. He knew all the people who lived there, but his favourite person of all was Miss Nancy Alison Delacourt Cooper. When Wilfrid finds out that Nancy has lost her memory, he sets out to find out what a memory is…'
Source: Publisher's blurb.
Wilfrid Gordon McDonald Partridge
( dir. Hattie Archibald
)
Australia
:
Australian Film Television and Radio School
,
2023
28603031
2023
single work
film/TV
Wilfrid Gordon McDonald Patridge lives next door to a nursing home. When he finds out that his special friend, Nancy Alison Delacourt Cooper is losing her memory he sets out to find what a memory is.
Unit Suitable ForAC: Year 1 (NSW Stage 1)
Themes
connecting with elderly, friendship, making connections, memory
General Capabilities
Critical and creative thinking, Literacy, Personal and social
'This article explores the findings from the first “diversity count” of Australian children’s picture books, conducted in 2019 in partnership with advocacy group Voices from the Intersection (VFTI). Specifically, this article explores the eighty-three percent of 2018 Australian children’s picture books that did not feature a marginalized protagonist: namely, those that featured human characters who could not be identified as marginalized in any way, animals, and inhuman protagonists. We propose that the Australian publishing industry, rather than suffering from a “diversity deficit,” instead overrepresents a narrow demographic of human experiences and non-human protagonists. We suggest that the oversaturation of the local children’s picture book market with such similar stories disadvantages all children, who are denied a rich and diverse reading experience, as well as the opportunity to see themselves and their peers depicted. This article provides greater insight into the current debates about diversity and inclusion in children’s media.'(Publication abstract)
'This article explores the findings from the first “diversity count” of Australian children’s picture books, conducted in 2019 in partnership with advocacy group Voices from the Intersection (VFTI). Specifically, this article explores the eighty-three percent of 2018 Australian children’s picture books that did not feature a marginalized protagonist: namely, those that featured human characters who could not be identified as marginalized in any way, animals, and inhuman protagonists. We propose that the Australian publishing industry, rather than suffering from a “diversity deficit,” instead overrepresents a narrow demographic of human experiences and non-human protagonists. We suggest that the oversaturation of the local children’s picture book market with such similar stories disadvantages all children, who are denied a rich and diverse reading experience, as well as the opportunity to see themselves and their peers depicted. This article provides greater insight into the current debates about diversity and inclusion in children’s media.'(Publication abstract)
