The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
The stories in this book challenge literary and social conventions, focusing on Kings Cross but additionally makes forays into bizarre aspects of contemporary America.
Contents
* Contents derived from the Milsons Point,North Sydney - Lane Cove area,Sydney Northern Suburbs,Sydney,New South Wales,:Random House,2001 version. Please note that other versions/publications may contain different contents. See the Publication Details.
In the Same BoatEmmett Stinson,
2013-single work criticism — Appears in:
Sydney Review of Books,March2013;'Discussions of the cultural cringe are now conducted in the past tense. Cringe-thinking, or so the contemporary narrative goes, can no longer function in a globalised, cosmopolitan, multicultural Australia where local literature circulates in an international milieu. This new literary internationalism is perhaps best exemplified by the designation of Melbourne as an UNESCO City of Literature in the 2008 and the subsequent founding of the Wheeler Centre for Books, Writing and Ideas, but evidence of Australian cultural bodies' increasing collaboration with foreign organisations can be found everywhere: the establishment of the 2012 conference NonfictioNow, which was a joint initiative of RMIT and the University of Iowa's Writers' Workshop; the 2010 creation of if:book Australia, a collaborative venture between the Queensland Writers Centre and the international Institute for the Future of the Book; the 2012 recognition of Clunes as one of sixteen members of the International Organisation of Booktowns; Allen & Unwin's 2010 launch of an Australian version of the Faber Academy, which offers creative writing classes; and the recent announcement of a Melbourne chapter of Alain de Botton's School of Life, which will host literary events, offer 'bibliotherapy', and contain a bookshop run by local seller Readings.' (Author's introduction)
In the Same BoatEmmett Stinson,
2013-single work criticism — Appears in:
Sydney Review of Books,March2013;'Discussions of the cultural cringe are now conducted in the past tense. Cringe-thinking, or so the contemporary narrative goes, can no longer function in a globalised, cosmopolitan, multicultural Australia where local literature circulates in an international milieu. This new literary internationalism is perhaps best exemplified by the designation of Melbourne as an UNESCO City of Literature in the 2008 and the subsequent founding of the Wheeler Centre for Books, Writing and Ideas, but evidence of Australian cultural bodies' increasing collaboration with foreign organisations can be found everywhere: the establishment of the 2012 conference NonfictioNow, which was a joint initiative of RMIT and the University of Iowa's Writers' Workshop; the 2010 creation of if:book Australia, a collaborative venture between the Queensland Writers Centre and the international Institute for the Future of the Book; the 2012 recognition of Clunes as one of sixteen members of the International Organisation of Booktowns; Allen & Unwin's 2010 launch of an Australian version of the Faber Academy, which offers creative writing classes; and the recent announcement of a Melbourne chapter of Alain de Botton's School of Life, which will host literary events, offer 'bibliotherapy', and contain a bookshop run by local seller Readings.' (Author's introduction)
