y separately published work icon The Joy of the Earth single work   autobiography  
Issue Details: First known date: 1969... 1969 The Joy of the Earth
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Notes

  • Chisholm records that he was in charge of assembling the posthumous Banfield book, Last Leaves from Dunk Island in 1925. In 1967 he unveiled a memorial on Dunk Island and was involved in selecting a site for a 'museum of Banfieldiana'.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: London,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Collins ,
      1969 .
      Extent: 367p.
      Description: illus., ports
      Note/s:
      • Preface by the Author (A. H. C., Sydney 1969).
      • Includes 'Index' and 'Index of Birds'.

Works about this Work

Encounters with Amnesia: Confronting the Ghosts of Australian Landscape Inga Simpson , 2019 single work essay
— Appears in: Griffith Review , January no. 63 2019; (p. 272-281)

'Nature writing has never been more popular. In recent years it has become an international publishing phenomenon, with titles such as Helen Macdonald's 'H is for Hawk' (Jonathan Cape, 2014), Robert Macfarlane's 'Landmarks' (Hamish Hamilton, 2015), Amy Liptrot's 'The Outrun' (Canongate, 2016) and Sy Montgomery's 'How to be a Good Creature' (Houghton Mifflin Harcourt, 2018) scoring significant worldwide success. Australia, too, has its own rich history of nature writing. For more than a century, nature writing was 'the' primary literature for writing the country; a vital part of the ongoing process, for settler-Australians, of coming to feel at home in what were initially unfamiliar environments, and of creating a sense of national identity around them. Yet, today, nature writing is not widely known or understood here, and it's apparent that more Australians have read 'H is for Hawk' (18,000 copies sold so far according to Bookscan) than any of our own contemporary works.' (Publication abstract)

 

Encounters with Amnesia: Confronting the Ghosts of Australian Landscape Inga Simpson , 2019 single work essay
— Appears in: Griffith Review , January no. 63 2019; (p. 272-281)

'Nature writing has never been more popular. In recent years it has become an international publishing phenomenon, with titles such as Helen Macdonald's 'H is for Hawk' (Jonathan Cape, 2014), Robert Macfarlane's 'Landmarks' (Hamish Hamilton, 2015), Amy Liptrot's 'The Outrun' (Canongate, 2016) and Sy Montgomery's 'How to be a Good Creature' (Houghton Mifflin Harcourt, 2018) scoring significant worldwide success. Australia, too, has its own rich history of nature writing. For more than a century, nature writing was 'the' primary literature for writing the country; a vital part of the ongoing process, for settler-Australians, of coming to feel at home in what were initially unfamiliar environments, and of creating a sense of national identity around them. Yet, today, nature writing is not widely known or understood here, and it's apparent that more Australians have read 'H is for Hawk' (18,000 copies sold so far according to Bookscan) than any of our own contemporary works.' (Publication abstract)

 

Last amended 28 Oct 2009 15:28:36
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