y separately published work icon Creativity : Psychoanalysis, Surrealism and Creative Writing single work   criticism  
Issue Details: First known date: 1998... 1998 Creativity : Psychoanalysis, Surrealism and Creative Writing
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Borrowings; or Ways of Making Poetry by Taking, Working and Returning : A Study in Creative Practice Paul Hetherington , Antonia Pont , 2014 single work criticism
— Appears in: New Writing , vol. 11 no. 1 2014; (p. 48-61) 'The collaborative poetry project ‘Borrowings’ investigates and theorises some of the processes of poetic composition. Two collaborators, by making use of incepts from each other's work, have generated new poems by exploring the nature of intertextual genesis. This paper presents key ideas generated by this activity and, in doing so, applies Deleuze's analysis of games to its consideration of the nature of poetic composition, along with his contention that ‘[t]o pass to the other side of the mirror is to pass from the relation of denotation to the relation of expression … It is to reach a region where language no longer has any relation to that which it denotes’. The project explores some of the ways in which poetry makes ‘sense’, both to the writer and reader; as well as questioning the extent to which poetry depends on its author's ‘decision’ about what to write. It also teases out some of the implications for how we understand authorship if authorial decisions may be generated by incepts of one kind or another that occur to the poet apparently randomly, or may be given to them by a line or phrase that they encounter while reading. This paper's ultimate wager, and one put to the test in the project itself, is that limitation has an expansive effect on the generation of creative work.' (Publication abstract)
Creativity Inez Baranay , 1998 single work review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , October vol. 2 no. 2 1998;
— Review of Creativity : Psychoanalysis, Surrealism and Creative Writing Kevin Brophy , 1998 single work criticism
Creativity Inez Baranay , 1998 single work review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , October vol. 2 no. 2 1998;
— Review of Creativity : Psychoanalysis, Surrealism and Creative Writing Kevin Brophy , 1998 single work criticism
Borrowings; or Ways of Making Poetry by Taking, Working and Returning : A Study in Creative Practice Paul Hetherington , Antonia Pont , 2014 single work criticism
— Appears in: New Writing , vol. 11 no. 1 2014; (p. 48-61) 'The collaborative poetry project ‘Borrowings’ investigates and theorises some of the processes of poetic composition. Two collaborators, by making use of incepts from each other's work, have generated new poems by exploring the nature of intertextual genesis. This paper presents key ideas generated by this activity and, in doing so, applies Deleuze's analysis of games to its consideration of the nature of poetic composition, along with his contention that ‘[t]o pass to the other side of the mirror is to pass from the relation of denotation to the relation of expression … It is to reach a region where language no longer has any relation to that which it denotes’. The project explores some of the ways in which poetry makes ‘sense’, both to the writer and reader; as well as questioning the extent to which poetry depends on its author's ‘decision’ about what to write. It also teases out some of the implications for how we understand authorship if authorial decisions may be generated by incepts of one kind or another that occur to the poet apparently randomly, or may be given to them by a line or phrase that they encounter while reading. This paper's ultimate wager, and one put to the test in the project itself, is that limitation has an expansive effect on the generation of creative work.' (Publication abstract)
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Last amended 6 May 2003 08:01:12
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