'It'd been a long time since I claimed some solitude in this blessed landscape; since I've done without life's little props. Here I have no friend, no dog, no radio, no clock, no phone, no roof, no body pollutants. The clackety-clack of the typewriter travels out into the valley and gets lost in expanses of forest and paperbark swamp. I'm the only soul around. For ten years Robyn Davidson has been travelling light. Across the desert, across America on a Harley-Davidson, or walking through the bush of ghosts by night. In these articles that make up Travelling Light, the bestselling author of Tracks takes us into wilds of many countries - as well as countries of the mind.' (Synopsis)
'Occasionally I go bush with a friend, and as we walk she will—with little apparent effort—take in the lie of the land. When we break to catch our breath, or to check our ankles for leeches, or to fix an undone shoelace, she will have counted how many creeks we’ve crossed, will have noticed how the steep cliffs and undulating valleys correspond to the contours of our map. With a swivel of her head along the ridgeline, she’ll be able to establish roughly where it is we now are. As though thumbing back through the pages of a just-read chapter, she might trace with her finger the passages we’ve covered: ‘that must be that section of blue gums’ or ‘that’s back where that landslide was’ or ‘here’s when we made a turn for the east’. I, meanwhile, might have noticed globules of blood-red resin weeping from the base of a tree, or have been startled by a black cockatoo winging itself across my path and scoured the ground afterwards for its feathers … but I will mostly be oblivious. The overall shape of the land we’re passing through will remain a blur to me.' (Introduction)
'Occasionally I go bush with a friend, and as we walk she will—with little apparent effort—take in the lie of the land. When we break to catch our breath, or to check our ankles for leeches, or to fix an undone shoelace, she will have counted how many creeks we’ve crossed, will have noticed how the steep cliffs and undulating valleys correspond to the contours of our map. With a swivel of her head along the ridgeline, she’ll be able to establish roughly where it is we now are. As though thumbing back through the pages of a just-read chapter, she might trace with her finger the passages we’ve covered: ‘that must be that section of blue gums’ or ‘that’s back where that landslide was’ or ‘here’s when we made a turn for the east’. I, meanwhile, might have noticed globules of blood-red resin weeping from the base of a tree, or have been startled by a black cockatoo winging itself across my path and scoured the ground afterwards for its feathers … but I will mostly be oblivious. The overall shape of the land we’re passing through will remain a blur to me.' (Introduction)
