The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
form yThe FugitivesBruce Beeby,
London:British Broadcasting Corporation (BBC),1976196343891976single work radio play
'A petty criminal on the run kills a policeman — and the police force, the public and, above all, the media, join in a grim man-hunt. The place—Australia: the time—the present.'
Source:Radio Times, 7 October 1976, p.53.
Publication Details of Only Known VersionEarliest 2 Known Versions of
Notes:
Other imprints include: Syd: Angus and Robertson, 1980; Finnish, 1962.
Decoding a Satire : Kenneth Cook on the ABCGeoffrey Luck,
2021single work essay — Appears in:
Quadrant,1 Junevol.
65no.
62021;(p. 94-97)'Wake in Fright was not, as commonly supposed, Kenneth Cook’s first novel. Two years before its publication, Ken, then working as a scriptwriter in the newsroom of ABC Television at Gore Hill, Sydney, dashed off a withering denunciation of the organisation and a lament for television as a news medium. But ABC regulations then prohibited publishing a book while employed as an ABC journalist, and in any case, for reasons that will become apparent shortly, Ken would have wanted to put some space between his book and the real events that inspired it.' (Introduction)
Decoding a Satire : Kenneth Cook on the ABCGeoffrey Luck,
2021single work essay — Appears in:
Quadrant,1 Junevol.
65no.
62021;(p. 94-97)'Wake in Fright was not, as commonly supposed, Kenneth Cook’s first novel. Two years before its publication, Ken, then working as a scriptwriter in the newsroom of ABC Television at Gore Hill, Sydney, dashed off a withering denunciation of the organisation and a lament for television as a news medium. But ABC regulations then prohibited publishing a book while employed as an ABC journalist, and in any case, for reasons that will become apparent shortly, Ken would have wanted to put some space between his book and the real events that inspired it.' (Introduction)