y separately published work icon The Up-Tight Blonde single work   novel  
Issue Details: First known date: 1969... 1969 The Up-Tight Blonde
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Alternative title: Remets ton peplum!
Language: French
    • Paris,
      c
      France,
      c
      Western Europe, Europe,      :       Gallimard ,       1970 .
      book cover
      Extent: 186p.
      Series: y separately published work icon Serie noire Gallimard (publisher), Paris : Gallimard , Z1570939 series - publisher novel crime Number in series: 1347
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Works about this Work

Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111) In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
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Last amended 14 Jul 2010 10:46:16
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