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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Antipodean Rewritings of Great Expectations : Peter Carey's Jack Maggs (1997) and Lloyd Jones's Mister Pip (2007)
2012
single work
criticism
— Appears in: The Shadow of the Precursor 2012; (p. 220-235) 'Counter-discourse theory urges readings of postcolonial fictions that are renarrativisations of canonical texts of empire in terms of their strategies of resistance. Recent novels by Peter Carey and Lloyd Jones amply acknowledge their debt to their precursor, Charles Dickens Great Expectations, but this chapter argues that the contestatory imperial relationship is overlaid with the equally compelling theme of postcolonial home and belonging. Carey exploits the oppositional "writing back" paradigm; Jones, by contrast, makes veneration of the Dickensian text central to his plot. Both, however, can also be described as diasporic novels in their preoccupation with the colony as home, as their colonial protagonists, after a fraught encounter with their Victorian heritage in the metropolitan centre of London, find their destiny/destination in the "return." Although this diasporic reading reiterates the familiar binaries of metropolitan centre and colonial periphery, it repositions the filial relationship as one of postcolonial habitation and settlement.' (220) -
The Boomerang Effect : Canonical Counter-Discourse and David Malouf's 'Blood Relations' as an Oppositional Reworking of 'The Tempest'
1991
single work
criticism
— Appears in: World Literature Written in English , Autumn vol. 31 no. 2 1991; (p. 50-64)
-
Antipodean Rewritings of Great Expectations : Peter Carey's Jack Maggs (1997) and Lloyd Jones's Mister Pip (2007)
2012
single work
criticism
— Appears in: The Shadow of the Precursor 2012; (p. 220-235) 'Counter-discourse theory urges readings of postcolonial fictions that are renarrativisations of canonical texts of empire in terms of their strategies of resistance. Recent novels by Peter Carey and Lloyd Jones amply acknowledge their debt to their precursor, Charles Dickens Great Expectations, but this chapter argues that the contestatory imperial relationship is overlaid with the equally compelling theme of postcolonial home and belonging. Carey exploits the oppositional "writing back" paradigm; Jones, by contrast, makes veneration of the Dickensian text central to his plot. Both, however, can also be described as diasporic novels in their preoccupation with the colony as home, as their colonial protagonists, after a fraught encounter with their Victorian heritage in the metropolitan centre of London, find their destiny/destination in the "return." Although this diasporic reading reiterates the familiar binaries of metropolitan centre and colonial periphery, it repositions the filial relationship as one of postcolonial habitation and settlement.' (220) -
The Boomerang Effect : Canonical Counter-Discourse and David Malouf's 'Blood Relations' as an Oppositional Reworking of 'The Tempest'
1991
single work
criticism
— Appears in: World Literature Written in English , Autumn vol. 31 no. 2 1991; (p. 50-64)
Last amended 6 Sep 2012 10:35:55
