| Text | Unit Name | Institution | Year |
|---|---|---|---|
y
Selected Plays
Strawberry Hills
:
Currency Press
,
2000
Z795032
2000
selected work
drama
(taught in 3 units)
Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character. |
Australian Theatre and Performance | University of Melbourne | 2013 (Semester 2) |
|
y
Selected Plays
Strawberry Hills
:
Currency Press
,
2000
Z795032
2000
selected work
drama
(taught in 3 units)
Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character. |
Australian Theatre & Cinema | University of Notre Dame | 2014 (Semester 1) |
|
y
Selected Plays
Strawberry Hills
:
Currency Press
,
2000
Z795032
2000
selected work
drama
(taught in 3 units)
Three landmark plays from the renaissance of Australian playwriting: 'White with Wire Wheels' was the first play to examine the insecurity inherent in the male culture of women and cars; 'Dimboola', a Rabelaisian account of a country wedding; Monk O'Neill, of 'A Stretch of the Imagination' has become an archetype of Australian character. |
Australian Drama | University of Southern Queensland | 2014 (Semester 1) |
