The Way Out at Last Cycle series - author  
... The Way Out at Last Cycle
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AbstractHistoryArchive Description

For a description of and introduction to the series, see The Physical TV company website.

Notes

  • The series ordering reflects the volume's position in the series, not publication date.

Includes

1
y separately published work icon The Way Out at Last and Other Poems Richard Allan , Sydney : Hale and Iremonger , 1986 Z73600 1986 selected work poetry
2
y separately published work icon To the Ocean; and Scheherazade Richard James Allen , Sydney : Hale and Iremonger , 1989 Z28402 1989 selected work poetry
3
y separately published work icon Hope for a Man Named Jimmie, and, Grand Illusion Joe Richard James Allen , Wollongong : Five Islands Press , 1993 Z108891 1993 selected work drama poetry
4
y separately published work icon Thursday's Fictions Richard James Allen , Wollongong : Five Islands Press , 1999 Z509628 1999 single work drama poetry
5
y separately published work icon The Air Dolphin Brigade Richard James Allen , Brooklyn Launceston Nottingham : Paper Bark Press Tasdance Shoestring Press (UK) , 1995 Z226028 1995 selected work poetry drama short story
6
y separately published work icon More Lies Richard James Allen , Brisbane : Interactive Publications , 2021 22476775 2021 single work novella humour thriller 'More Lies is a highly referential comedy thriller about a writer being held hostage in their own apartment and forced to type to hide the manoeuvres of a femme fatale, holding a pearl-handled gun, and her brother, a small-time thug with big-time ambitions. This wild tale about assassination, lost gold, betrayal, passion and identity theft engages the reader in the many layers of the author's witty but deceptive journey. Through a series of lies, backflips and alternative versions of the tale, the author moves from being a trapped hack, forced to prostitute themselves, to dazzling the world with the acrobatics of their imagination, to the heart of the matter: storytelling is all that is keeping them alive.' (Publication summary)
7
y separately published work icon The Kamikaze Mind Richard James Allen , Blackheath : Brandl and Schlesinger , 2006 Z1267967 2006 single work novel humour 'The story of an astronaut who launched himself into a black hole. The recovered fragments of his mind have been organized alphabetically into a witty, whimsical, surprisingly touching and laugh-out-loud funny dictionary of a floating mind.' (Publisher's blurb)
8
y separately published work icon Fixing the Broken Nightingale Richard James Allen , Australia Macao : Flying Island Books , 2014 7091933 2014 selected work poetry
9
y separately published work icon Text Messages from the Universe Richard James Allen , Bulahdelah : Flying Island Books , 2023 25655236 2023 selected work poetry

'Text Messages from the Universe was inspired by The Tibetan Book of the Dead, a Buddhist text which guides souls on their 49-day transmigration through the ‘Bardo’, or intermediate state, between dying and rebirth. It immerses readers in subjective states of consciousness they might experience when they die. It imagines what they can see and think and hear in a seamless but fragmentary flow of poetic images which turn time and space on their heads.

'Text Messages from the Universe, the book, designed by Dylan Jones, includes images taken from the film of the same title by The Physical TV Company, and a front cover painting created especially for the occasion by Australian painter Michelle Hiscock, who similarly created the cover for Richard James Allen’s earlier volume with Flying Islands: Fixing the Broken Nightingale.'

Source: Publisher's blurb.

Works about this Work

y separately published work icon Out Of The Labyrinth Of The Mind : Manifesting A Spiritual Art Beyond Dualism Richard James Allen , Sydney : 2004 25486823 2004 single work thesis

'This Doctorate of Creative Arts thesis consists of a raft of creative arts projects bound together by a critical essay which examines their intersections and situates them within the evolving body of the artist’s creative work and a broader context of critical thinking and creative ideas and practices. In particular, the essay focuses on the spiritual as a throughline between a group of art works which explore the media of poetry, dance, film, digital media, performance, and poetic fiction. Addressing some of the artistic and critical challenges arising out of working across this range of different forms, the philosophy and practice of Yoga is the primary system of thinking utilised to articulate a linking or underlying aesthetics. Six works make up the whole: 1. A critical overview essay 2. An anthology 3. A poetry book 4. A comic dance film 5. A dance drama film 6. A work of poetic fiction By placing these works in relationship to each other in one larger presentation, the aim is to create, in its overall structure, as well as in the interrelations between and within its multi-layered parts, a thesis which suggests a model of knowledge, experience and consciousness characterised by the movement between things rather than the static stand- aloneness, separate wholeness, of things. Given that this approach implies that meaning is in the spaces between things – or in the energies across the spaces between things - as much as in things themselves, it is not necessarily linear, obvious or direct, but just as often lateral, oblique or circular. The content, form and mode of address of each of the works is individuated, but by collecting them into a cluster of hybridised artistic works and their critical commentary, this thesis proposes a dialectic between knowing, intuiting and becoming. The juxtaposition of art works seeks to demonstrate how seeming oppositions and contradictions are brought together into a larger, dynamic, multi- dimensional, and never finally resolved art practice, animated by paradox. This Doctorate of Creative Arts thesis is an invitation for the reader and audience to participate in a multi-directional spaciousness in which there ultimately are no boundaries to the dynamics of creativity. The critical essay, in particular, which reviews the artist’s evolution as a writer, performer, choreographer and filmmaker, and which explores themes in his current interests in Yoga and meditational philosophy, addresses core issues in a multi-form idea of creative practice.'

Source: Abstract.

y separately published work icon Out Of The Labyrinth Of The Mind : Manifesting A Spiritual Art Beyond Dualism Richard James Allen , Sydney : 2004 25486823 2004 single work thesis

'This Doctorate of Creative Arts thesis consists of a raft of creative arts projects bound together by a critical essay which examines their intersections and situates them within the evolving body of the artist’s creative work and a broader context of critical thinking and creative ideas and practices. In particular, the essay focuses on the spiritual as a throughline between a group of art works which explore the media of poetry, dance, film, digital media, performance, and poetic fiction. Addressing some of the artistic and critical challenges arising out of working across this range of different forms, the philosophy and practice of Yoga is the primary system of thinking utilised to articulate a linking or underlying aesthetics. Six works make up the whole: 1. A critical overview essay 2. An anthology 3. A poetry book 4. A comic dance film 5. A dance drama film 6. A work of poetic fiction By placing these works in relationship to each other in one larger presentation, the aim is to create, in its overall structure, as well as in the interrelations between and within its multi-layered parts, a thesis which suggests a model of knowledge, experience and consciousness characterised by the movement between things rather than the static stand- aloneness, separate wholeness, of things. Given that this approach implies that meaning is in the spaces between things – or in the energies across the spaces between things - as much as in things themselves, it is not necessarily linear, obvious or direct, but just as often lateral, oblique or circular. The content, form and mode of address of each of the works is individuated, but by collecting them into a cluster of hybridised artistic works and their critical commentary, this thesis proposes a dialectic between knowing, intuiting and becoming. The juxtaposition of art works seeks to demonstrate how seeming oppositions and contradictions are brought together into a larger, dynamic, multi- dimensional, and never finally resolved art practice, animated by paradox. This Doctorate of Creative Arts thesis is an invitation for the reader and audience to participate in a multi-directional spaciousness in which there ultimately are no boundaries to the dynamics of creativity. The critical essay, in particular, which reviews the artist’s evolution as a writer, performer, choreographer and filmmaker, and which explores themes in his current interests in Yoga and meditational philosophy, addresses core issues in a multi-form idea of creative practice.'

Source: Abstract.

Last amended 28 Aug 2024 09:47:34
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