'The bed sitting room, the afternoon light streaming through the window, the high-backed easy chair, the dark furniture around the walls, the mementoes, photographs, pot plants, dried flowers, little objects. The little objects I cannot immediately recall. They meant a lot to my aunt, they were the memory theatre of her life, all with their associations. They took her out of the room through space and time. To me they represented the fetishism of objects, they were just clutter. I could afford to reject all that, or thought I could. At the time I felt I had no choice but to reject it, the oppressive weight of the old world, old values, which I had travelled so far to escape. But every time I revisited the objects would all be in place, in still, silent repose.' (Introduction)