y separately published work icon Hecate periodical issue   peer reviewed assertion
Alternative title: Hecate : An Interdisciplinary Journal of Women's Liberation
Issue Details: First known date: 1990... vol. 16 no. 1-2 1990 of Hecate est. 1975 Hecate
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Contents

* Contents derived from the , 1990 version. Please note that other versions/publications may contain different contents. See the Publication Details.
From "Notes to My Sister", Moni Lai Storz , single work prose (p. 43-47)
So, She Came Herei"So,", Julie Sarkozi , single work poetry (p. 61-62)
Silencei"Silence is the razor-thin incision into the heart.", Monica Long , single work poetry (p. 62)
The Edge of Iti"A firtree", Colleen Burke , single work poetry (p. 63)
Zora Cross's Entry into Australian Literature, Michael Sharkey , single work criticism biography
'Zora Cross's fame was extraordinary in 1918. Her name was fashionably given to children born in subsequent years. and was even bestowed upon a racehorse. The publisher George Robertson had initially rejected her Songs of Love and life sight unseen but. on reading the poems in an edition prepared by his former employee James Tyrell. was so struck with the contents that he published a more handsome version. He offered Cross a contract equalled in generosity only by that signed with CJ. Dennis for The Songs of a Sentimental Bloke. Prior to this, Cross had worked as a schoolteacher, actress, and journalist. She remained a journalist from 1915 until her death in 1964. Her literary career readied its peak in the 1930s. In 1918, the success of Songs of Love and Life was consolidated with another collection of poems, The Lilt of Life, and The City of Riddle-me-ree, a narrative poem for children, and her splendid Elegy on an Australian Schoolboy appeared in 1920.' (Introduction)

 
 (p. 65-89)
A Writer's Friends and Associates : Notes from Correspondence in the Zora Cross Papers, Julia Saunders , single work criticism biography (p. 90-96)
The Red Furrow, Alison Lambert , single work short story (p. 97-101)
Interview With Pearlie McNeill, Carole Ferrier (interviewer), single work interview (p. 102-110)
Vampires, Nicole Matthews , single work prose (p. 111-114)
Little foxi"in june i bring her desert", Helen Merrifield , single work poetry (p. 115-116)
Mother Usi"words will not protect", Chris Mansell , single work poetry (p. 116)
The Judgement of Parisi"Goddesses, once, of earth, sea, sky.", Diane Fahey , single work poetry (p. 117)
Umemployedi"The clock is only there for the look of things", Andrea Sherwood , single work poetry (p. 117)
Visit to West Terrace Cemetery, Rae Sexton , single work poetry (p. 118)
Fountains Were't Meant to be Predictablei"people walk up to the fountain", LiLian Tait , single work poetry (p. 119)
There is Always One Who is Differenti"Two by two a bunch of", LiLian Tait , single work poetry (p. 119)
The Politics of Nostalgia : Community and Difference in Migrant Writing, Efi Hatzimanolis , single work criticism (p. 120-127)
Resisting Authority, Carole Ferrier , single work criticism (p. 134-139)
Questions of Collaboration : An Interview with Jackie Huggins and Isabel Tarrago, Jackie Huggins , Isabel Tarrago , single work interview (p. 140-147)
She Just Can't Talk, Barbara Wels , single work short story (p. 148-150)
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