Cirrus@Austlit

'The articles in Volume 46 each take provocative and generative approaches to the challenge of historical truth-telling. Examining the public memory of massacres in Gippsland, Victoria, Aunty Doris Paton, Beth Marsden and Jessica Horton trace a history of contestation between, on the one hand, forms of frontier memorialisation articulated to secure colonial possession and, on the other, the sovereign counter-narratives of Gunai Kurnai communities. Heidi Norman and Anne Maree Payne describe Aboriginal campaigns to repatriate Ancestors’ stolen remains over the past fifty years, showing how these campaigns have proceeded along with and as part of nation-building movements towards land rights and self-determination. Their call for Aboriginal relationships with Ancestors to be represented in a National Resting Place aligns their research with these movements. We return to Gunai Kurnai Country in a piece authored by Rob Hudson and Shannon Woodcock, who show how the Krowathunkooloong Keeping Place has formed an important site and tool of community work towards cultural resurgence; the article itself demonstrates the value and importance of collaborative and co-designed research methods. The volume then includes a conversation between Laura McBride and Mariko Smith about their curation of the Australian Museum’s Unsettled exhibition, through which they responded to the 250th anniversary of Cook’s Endeavour voyage along Australia’s east coast by telling true stories that put Cook in his place.' (Publication summary)

'This volume begins with Michael Aird, Joanna Sassoon and David Trigger’s meticulous research tracing the well-known but sometimes confused identity of Jackey Jackey of the Lower Logan River in south-east Queensland. Emma Cupitt describes the multivocality and intertextuality of Radio Redfern’s coverage of Aboriginal protests in Sydney as the 1988 Australian Bicentenary celebrations took place elsewhere in the city. Similarly approaching sources for their multiplicity, Matt Poll and Amanda Harris provide a reading of the ambassadorial work performed by assemblages of Yolngu bark paintings in diverse exhibition spaces after the Second World War.

'Cara Cross historicises the production and use of mineral medicine—or lithotherapeutics—derived from Burning Mountain in Wonnarua Country, issuing a powerful call for the recognition of Indigenous innovation as cultural heritage. In a collaborative article, Fred Cahir, Ian Clark, Dan Tout, Benjamin Wilkie and Jidah Clark read colonial records against the grain to narrate a nineteenth-century history of Victorian Aboriginal relationships with fire, strengthening the case for the revitalisation of these fire management practices. And, based on extensive oral history work, Maria Panagopoulos presents Aboriginal narrations of the experience of moving—or being moved—from the Manatunga settlement on the outskirts of Robinvale into the town itself, on Tati Tati Country in the Mallee region of Victoria.

'In addition to a range of book reviews, we are also pleased to include Greg Lehman’s review essay concerning Cassandra Pybus’s recent award-winning Truganini: Journey through the Apocalypse, which considers the implications of our relationships with history and how they help to think through practices of researching and writing Aboriginal history.' (Publication summary)

In this volume, Charlotte Ward’s narration of re-enactments of the Endeavour’s landing in Cooktown traces local processes of engaging with and producing histories that bring together stories of that landing with the much longer story of Guugu Yimithirr sovereignty. Heather Burke, Ray Kerkhove, Lynley A. Wallis, Cathy Keys and Bryce Barker analyse the extent of fear on the Queensland frontier through a historical and archaeological study of homes and huts and their fortification. In a collaborative article, Myfany Turpin, Felicity Meakins, Marie Mudgedell, Angie Tchooga and Calista Yeoh consider three performances of Puranguwana, a ‘classical’ Western Desert song that emerges from the death of Yawalyurru, a Pintupi man. Paige Gleeson offers us a new perspective on the well-known image of Warlpiri-Anmatyerr man Gwoja Tjungurrayi, known since the 1950s as ‘One Pound Jimmy’, an image featured on postage stamps and on the two dollar coin. And Gretchen Stolte’s study of Queensland Aboriginal Creations situates the production of boomerangs for sale as work of cultural importance, enriching understandings of Aboriginal artwork and its production.

Source: ANU Press

"The articles in Volume 41 bring to light historical sources from the colonial frontier in Tasmania (Nicholas Brodie and Kristyn Harman) and South Australia (Skye Kirchauff) to provoke reassessments of colonial attitudes and expectations. Karen Hughes brings into focus little-known, intimate aspects of Indigenous women’s experience with African American servicemen on the World War II Australian home front. Diana Young’s study of accounts of Pitjantjatjara women’s careful productions in the Ernabella craft rooms in the mid-twentieth century deepens our understanding of a relatively neglected aspect of the art history of ‘first generation, postcontact Indigenous art-making among Australian Western Desert peoples’. Nikita Vanderbyl explores records of tourists’ visits to Aboriginal reserves in the late 1800s and early 1900s, focusing on the emotive aspects of the visits, and making the links between such tourism and colonialism. Janice Newton provides a close examination of the cross-cultural signs implicated in a documented ceremonial performance in early Port Phillip. Heather Burke, Lynley Wallis and their collaborators compare a reconstructed stone building in Richmond, Queensland, with other reputedly fortified structures, and find that the historical and structural evidence for this interpretation are equivocal, pointing to imaginaries of the violent frontier as much as tangible experience."

Source: ANU Press.

'Contributions to this issue of Aboriginal History range over the following topics: senior public servants in the state protection administrations, the voices of Aboriginal workers and mission residents in remembering and advocacy, institutionalisation and the sociospatial historiography of conflict, and the relation between policy and popular exhibitions. The diversity of encounter and the multiple impacts of violence, removal, isolation and surveillance are presented in fine-grained and quite revelatory scholarship that we are honoured to circulate.' (Preface introduction)

'Volume 39 of Aboriginal History is timely for the centenary of Gallipoli this year. The 56 Indigenous men who fought in this disastrous battle are duly noted in its special section on Aboriginal war service, edited by Allison Cadzow, Kristyn Harman and Noah Riseman. As Riseman points out in his preface, Aboriginal History can be credited as playing a leading role in the inception of growing interest in Indigenous combatants by devoting an earlier special issue to them in 1992, still nascent days for the field. ' (Preface introduction)

'Drawing on painstaking research into obscure though rich documentary sources, Aboriginal oral traditions, and first hand investigations conducted in the region over thirty-five years, Darrell Lewis pieces together the complex interactions between the environment, the powerful and warlike Aboriginal tribes and the settlers and their cattle, which produced what truly became A Wild History.' (Source: TROVE)