Rock chamber musical.
Based on the semi-autobiographical novel of the same name by William Dick, which had been serialised in the Australian, this musical drama has been described as a study of life among the bodgies, widgies and wild ones in Melbourne's western suburbs during the mid to late 1950s. The story centres around a young man, Terry Cooke, who is the leader of a bodgie gang. He fights with his parents, the law and his widgie girlfriends, before eventually making his escape from this environment with the help of a "good" girl from the other side of the tracks.
A Bunch of Ratbags broke new ground for musical theatre in Australia, with its rock band ensemble, for example, pre-dating the American tribal rock musical Hair by several years. The musical also caused an outrage after when some scenes were screened on an ABC current affairs programs - one sequence being deemed offensive because a character said 'get stuffed.' While this utterance was the strongest used in the show, in 1966 there was little tolerance in some quarters of the public for such language being used on the stage, let alone on television. The outcry led to the show being visited from the Victorian Vice Sqaud.No action was taken by the police, but they did report that 'the play was coarse and based on a course book, and there was much crude language.' The subsequent publicity helped the musical became one of the most successful productions Emerald Theatre's history. EMI also recorded the show's theme, making it the first single to be released from an Australian musical in almost a decade.
The premiere production was generally well received by critics, who seem to have all found something to like in it. Leonard Radic, for example, writes in State of Play that 'while it had its weak spots, [A Bunch of Ratbags] also had the virtues of vitality, colour and a measure of authenticity... the parts were better than the whole' (p41).
Since its 1966 premiere, A Bunch if Ratbags has been revived on numerous occasions by amateur companies. Known productions are :
A soundtrack recording was originally produced in 1966 by W and G Custom Pressing.
The 2005 revival was recorded at Box Hill Institute, Victoria in July 2005. It was subsequently released by Bayview Recording Co, Los Angeles, California, and distributed in Australia by Middle 8 Music (RNBW033).
1966 : Emerald Hill Theatre, Melbourne ; 14 May - 17 June. Dir. Wal Cherry and Jon Ewing ; Chor. Keith Little. - Cast: John Kendall (Terry), John Derum (Albie), Brian Young (Bootlace), John Rodedick (Ken), Gael Dixon (Ann), Judie Jamieson (Sharon), Sid Conabere (Charlie, Terry's father), Helen Harper (the Mother), Peter Adams, Yvonne Adams, Strado Tsikiris.
2005 : Theatreworks, St. Kilda (Victoria) ; 4-5 July. Dir. Aaron Joyner ; Prod. Magnormous ; Music Dir. David Piper ; Chor. Jessica Enes ; Stage Mngr. Lisa Stockdale. - Cast : Liam Pederson (Terry), Benjamin Nicholas (Albie), Lyall Brooks (Dave), Nicollet Minster (Carol), Zen Ledden (Boot), Jessica Enes (Sharon), Abi Richardson (Mum), Gregory Ross (Dad), Steve Simmons (Ken), Louise Van Veenendaal (Ann), Aaron Joyner (narrator).
This entry has been sourced from on-going historical research into Australian-written music theatre being conducted by Dr Clay Djubal.