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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Rejected by America? Some Tensions in Australian–American Literary Relations
2010
single work
criticism
— Appears in: Reading Across the Pacific : Australia-United States Intellectual Histories 2010; (p. 309-322)'This chapter focuses on the period from the mid-1970s to the late 1980s, a watershed period in Australia-US literary relations, which saw the publication in the US of Australian novelists Peter Carey, David Malouf, Jessica Anderson, Thea Astley, Elizabeth Jolley, Helen Garner, Tim Winton and Beverley Farmer among others, but which was also crossed by tensions and contradictions which led to confusion, disappointment, lost opportunities, and sometimes the outright rejection of important Australian authors and their books. Among these tensions, we look at three in particular: the promising but limited role played by the multinational publisher (in this case Penguin Books) offering Australian titles through its US affiliate (Viking Penguin); the intervention by literary agents in Australia - US literary publishing relations; and the difference in values between the two cultures, which served to hinder the appreciation of important works of Australian writing.' (p. 309)
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Thea Astley's Failed Eden
2006
single work
criticism
— Appears in: Thea Astley's Fictional Worlds 2006; (p. 153-163) -
Homelands vs 'The Tropics' : Crossing the Line
2003
single work
criticism
— Appears in: JASAL , vol. 2 no. 2003; (p. 167-178) 'In Australian fictions, "the tropics" feature as paradisiacal retreats, mosquito-infested war zones, touristic destinations or sites-of-last-resort on terminal pathways north. But they are also homelands and cross-cultural spaces where the nexus between Indigenous and non-indigenous people, as well as the environment, climate and geography, is distinctive ... This paper considers "the tropics" as contested sites in Australia and New Guinea, and indicates tensions between writing about or from within homelands' (p.167).
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Homelands vs 'The Tropics' : Crossing the Line
2003
single work
criticism
— Appears in: JASAL , vol. 2 no. 2003; (p. 167-178) 'In Australian fictions, "the tropics" feature as paradisiacal retreats, mosquito-infested war zones, touristic destinations or sites-of-last-resort on terminal pathways north. But they are also homelands and cross-cultural spaces where the nexus between Indigenous and non-indigenous people, as well as the environment, climate and geography, is distinctive ... This paper considers "the tropics" as contested sites in Australia and New Guinea, and indicates tensions between writing about or from within homelands' (p.167). -
Thea Astley's Failed Eden
2006
single work
criticism
— Appears in: Thea Astley's Fictional Worlds 2006; (p. 153-163) -
Rejected by America? Some Tensions in Australian–American Literary Relations
2010
single work
criticism
— Appears in: Reading Across the Pacific : Australia-United States Intellectual Histories 2010; (p. 309-322)'This chapter focuses on the period from the mid-1970s to the late 1980s, a watershed period in Australia-US literary relations, which saw the publication in the US of Australian novelists Peter Carey, David Malouf, Jessica Anderson, Thea Astley, Elizabeth Jolley, Helen Garner, Tim Winton and Beverley Farmer among others, but which was also crossed by tensions and contradictions which led to confusion, disappointment, lost opportunities, and sometimes the outright rejection of important Australian authors and their books. Among these tensions, we look at three in particular: the promising but limited role played by the multinational publisher (in this case Penguin Books) offering Australian titles through its US affiliate (Viking Penguin); the intervention by literary agents in Australia - US literary publishing relations; and the difference in values between the two cultures, which served to hinder the appreciation of important works of Australian writing.' (p. 309)
