'Arrival in Melbourne' records first impressions of Melbourne in 1855: Bourke-street; the Albion Hotel; rich crude diggers; the Argus office and James Semple; Fitzroy and a betrayed husband; buses and coaches; journey to the diggings.
'Kangaroo Flat' records daily life on the diggings; a shanty keeper's murder of his 'partner' and her lover's revenge; and old Irish shanty keeping couple; then Ballarat; M. H. F.'s first association with the press (poetry in the Mt Alexander Mail); Castlemaine and a sly-grog trial at the courthouse.
'Buninyong' records Taradale, White Hills, Buninyong and the journey and settlement there; characters met including a faithless wife rejected by husband and lover; false rushes; Green Hills, Buninyong Advertiser and W. W..
'Chinaman's Flat' records the goldrush ; Victorian summer heat and travelling; a mother's infanticide; murder buried in a mind shaft and a happy woman's consequent fever and death; a madcap wedding on the diggings; a comic false rush; (Irish characters abound); English brothers, one of whom dies of a heart attack on discovering gold.
'Inkerman' recalls the Kingower and Inkerman fields; a goat milkman; a listless young mother and wife complaining of her circumstances (very little sympathy for W. W.) who turns to alcohol and whose neglected child dies; also a horse-thief and murderer. (PB)
'In “Twenty-Six Years Ago: or, the Diggings from ’55,” published in The Australian Journal (1882-83), Waif Wander (Mary Fortune’s pen name) provides an autobiographical account of an unconventional woman’s life on the Australian goldfields. This article seeks to stress the unconventionality of Mary Fortune’s memoirs, written beyond norms of genre and gender, in order to contribute to their re-evaluation. It addresses Fortune’s exclusion from the Australian literary histories as well as her eccentric and marginal way of life.' (Publication abstract)
'In “Twenty-Six Years Ago: or, the Diggings from ’55,” published in The Australian Journal (1882-83), Waif Wander (Mary Fortune’s pen name) provides an autobiographical account of an unconventional woman’s life on the Australian goldfields. This article seeks to stress the unconventionality of Mary Fortune’s memoirs, written beyond norms of genre and gender, in order to contribute to their re-evaluation. It addresses Fortune’s exclusion from the Australian literary histories as well as her eccentric and marginal way of life.' (Publication abstract)