A Document single work   poetry   "'Sign there.' I signed, but still uneasily."
Issue Details: First known date: 1966... 1966 A Document
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Other Half : Poems Judith Wright , Sydney : Angus and Robertson , 1966 Z560795 1966 selected work poetry Sydney : Angus and Robertson , 1966
  • Appears in:
    y separately published work icon Australian Writing Today Charles Higham (editor), Harmondsworth : Penguin , 1968 Z285079 1968 anthology poetry short story Harmondsworth : Penguin , 1968 pg. 157-158
  • Appears in:
    y separately published work icon Judith Wright : Collected Poems, 1942-1970 Judith Wright , Cremorne : Angus and Robertson , 1971 Z563360 1971 selected work poetry Cremorne : Angus and Robertson , 1971 pg. 244
  • Appears in:
    y separately published work icon My Country : Australian Poetry and Short Stories, Two Hundred Years Leonie Kramer (editor), Sydney : Lansdowne , 1985 Z1067493 1985 anthology poetry short story Sydney : Lansdowne , 1985 pg. 137
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    y separately published work icon Two Centuries of Australian Poetry Mark O'Connor (editor), Melbourne : Oxford University Press , 1988 Z322247 1988 anthology poetry criticism Contains poems grouped into 18 thematic sections (19 in 2nd. ed.) ; each section has an introduction, notes and suggestions for study activities and further study. Biographical notes on authors and indexes also included. Melbourne : Oxford University Press , 1988 pg. 243
  • Appears in:
    y separately published work icon A Human Pattern : Selected Poems Judith Wright , North Ryde : Angus and Robertson , 1990 Z9022 1990 selected work poetry (taught in 3 units)

    'Judith Wright's own definitive selection of her poetry, covering the best and most memorable of her remarkable oeuvre.

    'From the elegant and moving precision of the first collection, The Moving Image (1946), to the political passion of Phantom Dwelling (1985), Wright's poetry speaks with intelligence and courage - and gracefully sensuous imagery.

    'Forty years of poetic production from Australia's best-loved poet.' (Publication summary)

         North Ryde : Angus and Robertson , 1990     pg. 139-140
  • Appears in:
    y separately published work icon Contemporary Australian Poetry : An Anthology John Leonard (editor), Knoxfield : Houghton Mifflin , 1990 Z361533 1990 anthology poetry humour war literature Knoxfield : Houghton Mifflin , 1990 pg. 13-14
  • Appears in:
    y separately published work icon Collected Poems 1942-1985 Judith Wright , Pymble : Angus and Robertson , 1994 Z501989 1994 selected work poetry war literature satire (taught in 8 units) Pymble : Angus and Robertson , 1994 pg. 242
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    y separately published work icon Australian Verse : An Oxford Anthology John Leonard (editor), Melbourne : Oxford University Press , 1998 Z461207 1998 anthology poetry (taught in 1 units) A thorough survey of poetry by Australians in English, beginning with a selection of contemporary work by younger poets, and going backward in time to the early colonial period. In addition to poems in the literary tradition, it indudes performance poetry, convict songs and old bush ballads. An extensive selection has been provided from the work of five major twentieth-century poets: Les Murray, Gwen Harwood, Judith Wright, A.D. Hope and Kenneth Slessor. Several features are provided to assist the reader: the date of first publication of each poem is provided; footnotes explain unfamiliar words and allusions; and brief biographical notes assist in locating each poet in his or her place in time. Melbourne : Oxford University Press , 1998 pg. 209
  • Appears in:
    y separately published work icon The Puncher & Wattmann Anthology of Australian Poetry John Leonard (editor), Glebe : Puncher and Wattmann , 2009 Z1674214 2009 anthology poetry (taught in 16 units) Glebe : Puncher and Wattmann , 2009 pg. 261-262
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Works about this Work

The Moving Image of Place : Judith Wright Bill Ashcroft , Frances Devlin-Glass , Lyn McCredden , 2009 single work criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 141-163)
'It's a Hungry Home' : Postcolonial Displacements, Popular Music and the Sacred Lyn McCredden , 2007 single work criticism
— Appears in: Journal of Postcolonial Writing , August vol. 43 no. 2 2007; (p. 216-231) 'This essay, through a theorized analysis of Australian popular song lyrics, investigates a range of understandings of "home", including the exclusions and sacred connotations that inform the term. Against accusations of mere sentimentality or nostalgia regarding a desire for "home" as familiar and comforting and in response to Levinas's related arguments that a desire for home is at the root of "splitting humanity into natives and strangers", it argues that it is necessary for postcolonial Australia to embrace "homelessness at the heart of any understanding of "home"' (216). McCredden's essay draws on the lyrics of Icehouse, Goanna, Midnight Oil, and Yothu Yindi, as well as a poem by Judith Wright to argue that 'for colonized and colonizers, holding together the human need for home with an understanding of the constant reality of human dislocatedness is a riven, necessary and unending process' (230).
'It's a Hungry Home' : Postcolonial Displacements, Popular Music and the Sacred Lyn McCredden , 2007 single work criticism
— Appears in: Journal of Postcolonial Writing , August vol. 43 no. 2 2007; (p. 216-231) 'This essay, through a theorized analysis of Australian popular song lyrics, investigates a range of understandings of "home", including the exclusions and sacred connotations that inform the term. Against accusations of mere sentimentality or nostalgia regarding a desire for "home" as familiar and comforting and in response to Levinas's related arguments that a desire for home is at the root of "splitting humanity into natives and strangers", it argues that it is necessary for postcolonial Australia to embrace "homelessness at the heart of any understanding of "home"' (216). McCredden's essay draws on the lyrics of Icehouse, Goanna, Midnight Oil, and Yothu Yindi, as well as a poem by Judith Wright to argue that 'for colonized and colonizers, holding together the human need for home with an understanding of the constant reality of human dislocatedness is a riven, necessary and unending process' (230).
The Moving Image of Place : Judith Wright Bill Ashcroft , Frances Devlin-Glass , Lyn McCredden , 2009 single work criticism
— Appears in: Intimate Horizons : The Post-Colonial Sacred in Australian Literature 2009; (p. 141-163)
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Last amended 11 May 2010 11:29:11
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