'The charismatic god-king Sukarno has brought Indonesia to the edge of chaos - to an abortive revolution that will leave half a million dead. For the Western correspondents here, this gathering apocalypse is their story and their drug, while the sufferings of the Indonesian people are scarcely real: a shadow play. Working at the eye of the storm are television correspondent Guy Hamilton and his eccentric cameraman Billy Kwan. In Kwan's secret fantasy life, both Sukarno and Hamilton are heroes. But his heroes betray him, and Billy is driven to desperate action. As the Indonesian shadow play erupts into terrible reality, a complex personal tragedy of love, obsession and betrayal comes to its climax.'
Source: Publisher's blurb.
Set in Indonesia, The Year of Livingly Dangerously is based on the real events that occurred in the country in 1965. The story revolves around Guy Hamilton, who has arrived in Jakarta on his first overseas posting for the Australian Broadcasting Service. Having had no time to build relationships or contacts, he stumbles around the city, attempting to cover the political tensions that are daily increasing. He is eventually taken under the wing of a small but well-connected Chinese-Australian cameraman, Billy Kwan, who recognises great potential in Hamilton. Hamilton is groomed by Kwan, who then sets up exclusive interviews for him while also engineering a romance with Jill Bryant, the young assistant at the British Embassy. Bryant warns Hamilton that violence is about to break out between right-wing factions and the Communist Party of Indonesia, but he pursues the story anyway. Billy Kwan, disheartened by all the people he once believed in, decides to make a public protest against President Sukarno. When the situation eventually escalates into violence, Hamilton is caught between his career ambitions, his conscience, and his feelings for Jill Bryant.
This work is affiliated with the AustLit subset Asian-Australian Children's Literature and Publishing because it has been recommended as an Asia Literacy resource for young adults by the Dept of Education and Early Childhood, Victoria.
Writing Disability in Australia:
See C.A. Cranston's dissertation 'Deformity as Device in the Twentieth-century Australian Novel'.
'Ubiquitous, highly visible, nonspecific to geography, history, race, or sex, dwarfism's connection with Australia's mythic and literary histories is remarkable enough to suggest here that it occupy its own subgenre in literature, the zwergroman (m). Australia's branding as the "Antipodes" geographically recalls its colonial past; mythographically the imaginative configuration was as an underworld of opposites ruled by the diminutive King of the Antipodes. Thus, the zwergroman is frequently fashioned from Celtic myths of the colonizing power along with the shaping power of colonial processes. In addition to introducing the conventions of the zwergroman and demonstrating the significance of dwarf characters to Australia's pre- and postcolonial narratives, this article gradually introduces concepts from disability studies (through the scholarly work of Erin Pritchard, David T. Mitchell and Sharon L. Snyder, and others) by examining representations and cultural meanings imposed on dwarf characters prior to the counter histories of twenty-first-century short-statured scholars whose demand for personhood required an engagement with subjective and experiential realities. The novels discussed (1970–94) represent a cluster of dwarf-centric novels by notable writers, all able-bodied at the time of writing (excepting Patrick White). They include C. J. Koch, The Year of Living Dangerously (1978; filmed 1982); James McQueen, Hook's Mountain (1982); Ruth Park, Swords and Crowns and Rings (1977); Peter Carey, The Unusual Life of Tristan Smith (1994); and Patrick White, The Vivisector (1970).' (Publication abstract)