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y separately published work icon The Rocks of Honey single work   children's fiction   children's  
Issue Details: First known date: 1960... 1960 The Rocks of Honey
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Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Ringwood, Ringwood - Croydon - Kilsyth area, Melbourne - East, Melbourne, Victoria,: Harmondsworth, Middlesex,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,      :       Penguin ,       1966 .
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      This image has been sourced from Amazon
      Extent: 176p.
      Edition info: paperback ed.
      Description: illus.
      Reprinted: 1972 , 1983
    • London,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,      :       Hutchinson ,       1974 .
      image of person or book cover 2808828928829459147.jpg
      This image has been sourced from online.
      Extent: 184p.
      Description: illus.
      ISBN: 0091197600
  • Appears in:
    y separately published work icon The Bunyip Hole [and] The Rocks of Honey Patricia Wrightson , Sydney : John Ferguson , 1982 Z1485261 1982 selected work children's fiction Sydney : John Ferguson , 1982
Alternative title: L'Ascia die Pietra
Language: Italian
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Other Formats

  • Also braille and sound recording.
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Related Works

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Works about this Work

Relationships to the Bush in Nan Chauncy’s Early Novels for Children Susan Sheridan , Emma Maguire , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014; 'In the 1950s, bush settings were strong favourites for children’s novels, which often took the form of a generic mix of adventure story and bildungsroman, novel of individual development. In using bush settings to take up the environmental concerns of the period, the early novels of Wrightson and Chauncy added a new dimension to traditional settler images of rural life as central to Australian national identity. The bush is loved for its beauty and revered as a source of knowledge and character building, rather than being represented as an antagonist which must be overcome or domesticated. In this respect, Chauncy in particular anticipates later ecological concerns in writing for children.' (Publication abstract)
Crow Country : Treading Ambiguous Pathways Kate Constable , 2011 single work autobiography
— Appears in: Magpies : Talking About Books for Children , September vol. 26 no. 4 2011; (p. 18-20)
Patricia Wrightson : Writer of Legends Margaret Dunkle , 1995 single work criticism biography
— Appears in: Overland , Winter no. 139 1995; (p. 16-18)
Children's Adult Patricia Rolfe , 1989 single work criticism
— Appears in: The Bulletin , 29 August 1989; (p. 113)
Patricia Wrightson : At the Edge of Australian Vision Walter McVitty , 1981 single work criticism biography
— Appears in: Innocence and Experience : Essays on Contemporary Australian Children's Writers 1981; (p. 99-130)
Crow Country : Treading Ambiguous Pathways Kate Constable , 2011 single work autobiography
— Appears in: Magpies : Talking About Books for Children , September vol. 26 no. 4 2011; (p. 18-20)
Patricia Wrightson : Writer of Legends Margaret Dunkle , 1995 single work criticism biography
— Appears in: Overland , Winter no. 139 1995; (p. 16-18)
Children's Adult Patricia Rolfe , 1989 single work criticism
— Appears in: The Bulletin , 29 August 1989; (p. 113)
Patricia Wrightson : At the Edge of Australian Vision Walter McVitty , 1981 single work criticism biography
— Appears in: Innocence and Experience : Essays on Contemporary Australian Children's Writers 1981; (p. 99-130)
Relationships to the Bush in Nan Chauncy’s Early Novels for Children Susan Sheridan , Emma Maguire , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014; 'In the 1950s, bush settings were strong favourites for children’s novels, which often took the form of a generic mix of adventure story and bildungsroman, novel of individual development. In using bush settings to take up the environmental concerns of the period, the early novels of Wrightson and Chauncy added a new dimension to traditional settler images of rural life as central to Australian national identity. The bush is loved for its beauty and revered as a source of knowledge and character building, rather than being represented as an antagonist which must be overcome or domesticated. In this respect, Chauncy in particular anticipates later ecological concerns in writing for children.' (Publication abstract)
VIEW ALL WORKS ABOUT (5)
Last amended 26 Nov 2021 08:25:52
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