Examines the way in which paintings have affected Dobson's work, and focuses on Dobson's "habit of juxtaposing what one might call human reality with an aesthetic reality which is created out of the description of a painting" (65). Compares Dobson's poetry with Thea Proctor's artistic technique.
Examines the way in which paintings have affected Dobson's work, and focuses on Dobson's "habit of juxtaposing what one might call human reality with an aesthetic reality which is created out of the description of a painting" (65). Compares Dobson's poetry with Thea Proctor's artistic technique.