Miss Louise Mack single work   biography  
Issue Details: First known date: 1895... 1895 Miss Louise Mack
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
portrait: Louise Mack
  • Appears in:
    y separately published work icon Cosmos Magazine vol. 2 no. 2 31 October 1895 Z653906 1895 periodical issue 1895 pg. 77-78

Works about this Work

Colonial Authors, Canons and Taste Rachael Weaver , Ken Gelder , 2014 single work criticism
— Appears in: The Colonial Journals : And the Emergence of Australian Literary Culture 2014; (p. 110-150)
‘The colonial Australian journals provided venues for the establishment of often tightly-knit literary networks, featuring groups of writers who worked (and often socialised) together and who would write about each other, reviewing and promoting each other’s books. Some of the longer-lasting journals would also try to sustain the literary careers of writers in their ‘circle’, offering regular payment for contributions; the serialisation of a novel, for example, or a series of articles on a particular topic. The writers associated with a journal helped to make it both distinctive and recognisable in terms of style, content and values. And they also determined what counted (and what didn’t) in the ongoing project of establishing an appropriate literary canon. At one level, journals are all about literary ephemera, the kind of writing that lasts only a moment and then disappears. But at another level, they work hard to establish longer-term views of literary production, memorialising certain writers and speculating about their legacies. The colonial journals enabled writers to talk candidly about their influences, their aspirations, their fortunes and their misfortunes. As we look back on them now, we can say that the journal played a vital and constitutive role in structuring an Australian literary field: investing in it, evaluating it, gathering it together and then distributing it across the colonies and beyond.’ (Authors introduction : 111)
Colonial Authors, Canons and Taste Rachael Weaver , Ken Gelder , 2014 single work criticism
— Appears in: The Colonial Journals : And the Emergence of Australian Literary Culture 2014; (p. 110-150)
‘The colonial Australian journals provided venues for the establishment of often tightly-knit literary networks, featuring groups of writers who worked (and often socialised) together and who would write about each other, reviewing and promoting each other’s books. Some of the longer-lasting journals would also try to sustain the literary careers of writers in their ‘circle’, offering regular payment for contributions; the serialisation of a novel, for example, or a series of articles on a particular topic. The writers associated with a journal helped to make it both distinctive and recognisable in terms of style, content and values. And they also determined what counted (and what didn’t) in the ongoing project of establishing an appropriate literary canon. At one level, journals are all about literary ephemera, the kind of writing that lasts only a moment and then disappears. But at another level, they work hard to establish longer-term views of literary production, memorialising certain writers and speculating about their legacies. The colonial journals enabled writers to talk candidly about their influences, their aspirations, their fortunes and their misfortunes. As we look back on them now, we can say that the journal played a vital and constitutive role in structuring an Australian literary field: investing in it, evaluating it, gathering it together and then distributing it across the colonies and beyond.’ (Authors introduction : 111)
Subjects:
Newspapers:
    Powered by Trove
    X