Stewart argues that the organisation of small and large "imaginative units" in the trilogy accumulate to become an aesthetic whole. Stewart discusses the role of money and sex in the novel and suggests that Richardson's knowledge of music influenced the narrative structure of recurring motifs. While noting the unevenness of Richardson's prose and her superfluous characterization, Stewart concludes that the last chapters of the final volume reconcile these recurring motifs with great success, proving to be the best section of the trilogy.