Shadow single work   poetry   "I stood to watch the sun"
Issue Details: First known date: 1971... 1971 Shadow
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Judith Wright : Collected Poems, 1942-1970 Judith Wright , Cremorne : Angus and Robertson , 1971 Z563360 1971 selected work poetry Cremorne : Angus and Robertson , 1971 pg. 297-298
  • Appears in:
    y separately published work icon A Human Pattern : Selected Poems Judith Wright , North Ryde : Angus and Robertson , 1990 Z9022 1990 selected work poetry (taught in 3 units)

    'Judith Wright's own definitive selection of her poetry, covering the best and most memorable of her remarkable oeuvre.

    'From the elegant and moving precision of the first collection, The Moving Image (1946), to the political passion of Phantom Dwelling (1985), Wright's poetry speaks with intelligence and courage - and gracefully sensuous imagery.

    'Forty years of poetic production from Australia's best-loved poet.' (Publication summary)

         North Ryde : Angus and Robertson , 1990     pg. 153-154
  • Appears in:
    y separately published work icon Collected Poems 1942-1985 Judith Wright , Pymble : Angus and Robertson , 1994 Z501989 1994 selected work poetry war literature satire (taught in 8 units) Pymble : Angus and Robertson , 1994 pg. 292-293
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Works about this Work

'An Entangled Kind of Haunting' : Judith Wright and Uncanny Australia Toby Davidson , 2008 single work criticism
— Appears in: Philament , December no. 13 2008; (p. 1-19) 'Ken Gelder and Jane Jacobs' Uncanny Australia (1998), along with Judith Wright's poetry, analyses and responds to the Australian ghost story. Wright does this through poeticised connections of land, history and family and Gelder-Jacobs through postcolonial criticism. This paper investigates how a combined reading of the two can offer new insights into Australian ghost stories and the poetics of haunting' (Philament editors: Bernadette Cantrall, Dreu Harrison and James McLeod).
'An Entangled Kind of Haunting' : Judith Wright and Uncanny Australia Toby Davidson , 2008 single work criticism
— Appears in: Philament , December no. 13 2008; (p. 1-19) 'Ken Gelder and Jane Jacobs' Uncanny Australia (1998), along with Judith Wright's poetry, analyses and responds to the Australian ghost story. Wright does this through poeticised connections of land, history and family and Gelder-Jacobs through postcolonial criticism. This paper investigates how a combined reading of the two can offer new insights into Australian ghost stories and the poetics of haunting' (Philament editors: Bernadette Cantrall, Dreu Harrison and James McLeod).
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