Letting Go single work   poetry   "Tell the truth of experience"
  • Author:agent Fay Zwicky http://www.poetrylibrary.edu.au/poets/zwicky-fay
Issue Details: First known date: 1993... 1993 Letting Go
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Poems 1970-1992 Fay Zwicky , St Lucia : University of Queensland Press , 1993 Z202576 1993 selected work poetry St Lucia : University of Queensland Press , 1993 pg. 226-227
  • Appears in:
    y separately published work icon Family Ties : Australian Poems of the Family Jennifer Strauss (editor), South Melbourne : Oxford University Press , 1998 Z115299 1998 anthology poetry South Melbourne : Oxford University Press , 1998 pg. 143-144
  • Appears in:
    y separately published work icon Australian Verse : An Oxford Anthology John Leonard (editor), Melbourne : Oxford University Press , 1998 Z461207 1998 anthology poetry (taught in 1 units) A thorough survey of poetry by Australians in English, beginning with a selection of contemporary work by younger poets, and going backward in time to the early colonial period. In addition to poems in the literary tradition, it indudes performance poetry, convict songs and old bush ballads. An extensive selection has been provided from the work of five major twentieth-century poets: Les Murray, Gwen Harwood, Judith Wright, A.D. Hope and Kenneth Slessor. Several features are provided to assist the reader: the date of first publication of each poem is provided; footnotes explain unfamiliar words and allusions; and brief biographical notes assist in locating each poet in his or her place in time. Melbourne : Oxford University Press , 1998 pg. 137-138
  • Appears in:
    y separately published work icon Australian Poetry Library APRIL; APL; The Australian Poetry Resources Internet Library John Tranter , Sydney : 2004- Z1368099 2004- website

    'The Australian Poetry Library (APL) aims to promote a greater appreciation and understanding of Australian poetry by providing access to a wide range of poetic texts as well as to critical and contextual material relating to them, including interviews, photographs and audio/visual recordings.

    This website currently contains over 42,000 poems, representing the work of more than 170 Australian poets. All the poems are fully searchable, and may be accessed and read freely on the World Wide Web. Readers wishing to download and print poems may do so for a small fee, part of which is returned to the poets via CAL, the Copyright Agency Limited. Teachers, students and readers of Australian poetry can also create personalised anthologies, which can be purchased and downloaded. Print on demand versions will be availabe from Sydney University Press in the near future.

    It is hoped that the APL will encourage teachers to use more Australian material in their English classes, as well as making Australian poetry much more available to readers in remote and regional areas and overseas. It will also help Australian poets, not only by developing new audiences for their work but by allowing them to receive payment for material still in copyright, thus solving the major problem associated with making this material accessible on the Internet.

    The Australian Poetry Library is a joint initiative of the University of Sydney and the Copyright Agency Limited (CAL). Begun in 2004 with a prototype site developed by leading Australian poet John Tranter, the project has been funded by a major Linkage Grant from the Australian Research Council (ARC), CAL and the University of Sydney Library. A team of researchers from the University of Sydney, led by Professor Elizabeth Webby and John Tranter, in association with CAL, have developed the Australian Poetry Library as a permanent and wide-ranging Internet archive of Australian poetry resources.' Source: www.poetrylibrary.edu.au (Sighted 30/05/2011).

    Sydney : 2004-
  • Appears in:
    y separately published work icon Picnic Fay Zwicky , Artarmon : Giramondo Publishing , 2006 Z1331175 2006 selected work poetry Artarmon : Giramondo Publishing , 2006 pg. 46-48
  • Appears in:
    y separately published work icon Motherlode : Australian Women's Poetry 1986 - 2008 Jennifer Harrison (editor), Kate Waterhouse (editor), Glebe : Puncher and Wattmann , 2009 Z1592305 2009 anthology poetry (taught in 1 units) 'Motherlode portrays the story of children and mothers from the perspective of women and their social and emotional contexts.' (The editors) Glebe : Puncher and Wattmann , 2009 pg. 311-312
  • Appears in:
    y separately published work icon The Puncher & Wattmann Anthology of Australian Poetry John Leonard (editor), Glebe : Puncher and Wattmann , 2009 Z1674214 2009 anthology poetry (taught in 16 units) Glebe : Puncher and Wattmann , 2009 pg. 185-186
  • Appears in:
    y separately published work icon The Turnrow Anthology of Contemporary Australian Poetry John Kinsella (editor), Monroe : LA Desperation Press Turnrow Books , 2014 8049508 2014 anthology poetry

    'This anthology...is a negotiation of many spaces. That of poets and their work, the idea of "Australia", the idea of being "represented" in a different demographic (America), personal or textual issues with anthologiser, who else is being included (though none outside myself and the publishers have knowledge of this until publication). Vitally, whoat matters is the conversations that arise from the anthology going public, and how the poets and readers deal with this community that has been organically and artificially induced.' John Kinsella (Source: backcover)

    Monroe : LA Desperation Press Turnrow Books , 2014
    pg. 553-554

Works about this Work

The Opposite of Death Morgan Yasbincek , 2018 single work prose
— Appears in: Westerly , no. 5 2018; (p. 17-24)

'My friendship with Fay was very like so many between women who hold each other in high regard, who would like to know each other at more depth, between whom meeting is delightful, generous, but the meetings themselves are sparse across time for the common reasons we hear in conversations around us every day—no time, distance, responsibilities, work… So I am sorry I have no claim to saying I knew Fay well, though I would have liked to. The context of what I write here is that I visited Fay regularly in the last six months of her life. During a visit after she’d come out of hospital I asked if she would like me to keep in touch and possibly visit regularly and she said ‘Yes’—simply that.'(Introduction)

The Opposite of Death Morgan Yasbincek , 2018 single work prose
— Appears in: Westerly , no. 5 2018; (p. 17-24)

'My friendship with Fay was very like so many between women who hold each other in high regard, who would like to know each other at more depth, between whom meeting is delightful, generous, but the meetings themselves are sparse across time for the common reasons we hear in conversations around us every day—no time, distance, responsibilities, work… So I am sorry I have no claim to saying I knew Fay well, though I would have liked to. The context of what I write here is that I visited Fay regularly in the last six months of her life. During a visit after she’d come out of hospital I asked if she would like me to keep in touch and possibly visit regularly and she said ‘Yes’—simply that.'(Introduction)

Last amended 8 Apr 2015 12:07:26
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