y separately published work icon The Mountain selected work   correspondence  
Is part of The Blue Mountains Trilogy 1987-1989 series - author prose autobiography (number 3 in series)
  • Author:agent Kate Llewellyn http://www.poetrylibrary.edu.au/poets/llewellyn-kate
Issue Details: First known date: 1989... 1989 The Mountain
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Notes

  • Written in the form of letters to her daughter.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Hawthorn, Camberwell - Kew area, Melbourne - Inner South, Melbourne, Victoria,: Hudson Publishing , 1989 .
      Extent: [viii], 167 p.p.
      Note/s:
      • Dedication: To the memory of Kenneth Stirling and Patrick Pak-Poy, with gratitude.

      • Epigraph: 'I'd rather mingle vision
        with the ant than, so
        removed, command the
        lion and the leopard
        in my sight.'
        Fay Zwicky
        'Giraffe', from 'Ark Voices'.

      ISBN: 0949873306
    • Hawthorn, Camberwell - Kew area, Melbourne - Inner South, Melbourne, Victoria,: Hudson Publishing , 1990 .
      Extent: [viii], 167 p.p.
      Note/s:
      • Paperback.
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Other Formats

  • Also sound recording.
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Works about this Work

Love and Vertigo : The Blue Mountains as Veranda in Australian Women's Writing Elizabeth Hicks , 2011 single work criticism
— Appears in: Antipodes , December vol. 25 no. 2 2011; (p. 171-175) The Blue Mountains have often been used as a backdrop in Australian literature. Elizabeth Hicks looks at several of these texts by Australian women which were written during the fifteen years between 1987 and 2002, a period which loosley corresponds to theat of third-wave feminism.
The Bush and the Garden in the Writing of Drusilla Modjeska and Kate Llewellyn Elizabeth Hicks , 2011 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 2 no. 1 2011; (p. 70-81) 'Through the gardens depicted in their Blue Mountains texts of the 1980s and 1990s, Australian writers Drusilla Modjeska and Kate Llewellyn forge a feminist aesthetic in which the binaries of nature/culture, male/female and bush/city co-exist. These texts depict Australia as a nation that no longer looks predominantly to Britain but is a hybrid and transcultural entity which embraces its rich migrant experience.' Source: Elizabeth Hicks,
Reading Kate Llewellyn's Garden(Books) Anne Collett , 2006 single work criticism
— Appears in: Australian Literary Studies , October vol. 22 no. 4 2006; (p. 482-494)
Mapping the Unpredictable: The Art of Kate Llewellyn Anne Gunter , 1992 single work criticism
— Appears in: Overland , Winter no. 127 1992; (p. 63-68)
Truth or Fiction Kate Llewellyn , 1990 single work criticism
— Appears in: Poetry Australia , Winter no. 126 1990; (p. 10-14)
Swimming in the Literary Streams of Consciousness Sue Gough , 1990 single work review
— Appears in: The Courier-Mail , 3 March 1990; (p. 7)
— Review of A Body of Water : A Year's Notebook Beverley Farmer , 1990 selected work autobiography short story poetry diary ; The Mountain Kate Llewellyn , 1989 selected work correspondence
[Review] Charades, Flawless, The Mountain, Painted Woman, My Father's Moon Nicolette Stasko , 1990 single work review
— Appears in: The Phoenix Review , Spring/Summer no. 6 1990; (p. 116-119)
— Review of My Father's Moon Elizabeth Jolley , 1989 single work novel ; Painted Woman Sue Woolfe , 1989 single work novel ; Charades Janette Turner Hospital , 1988 single work novel ; The Mountain Kate Llewellyn , 1989 selected work correspondence ; Flawless Jade Barbara Hanrahan , 1989 single work novel
A Mother Lets Go of Her Child : Handle With Care Dianne Johnson , 1989 single work review
— Appears in: The Sydney Morning Herald , 18 November 1989; (p. 91)
— Review of The Mountain Kate Llewellyn , 1989 selected work correspondence
Literary Feasts With the Bite of Wary Intimacy Dennis Davison , 1989 single work review
— Appears in: The Australian Magazine , 16 December 1989; (p. 9)
— Review of The Mountain Kate Llewellyn , 1989 selected work correspondence
Magical Journeys and Open Letters Mollie Missen , 1989 single work review
— Appears in: The Age , 2 December 1989; (p. 7)
— Review of The Mountain Kate Llewellyn , 1989 selected work correspondence
Reading Kate Llewellyn's Garden(Books) Anne Collett , 2006 single work criticism
— Appears in: Australian Literary Studies , October vol. 22 no. 4 2006; (p. 482-494)
The Bush and the Garden in the Writing of Drusilla Modjeska and Kate Llewellyn Elizabeth Hicks , 2011 single work criticism
— Appears in: Journal of the European Association for Studies on Australia , vol. 2 no. 1 2011; (p. 70-81) 'Through the gardens depicted in their Blue Mountains texts of the 1980s and 1990s, Australian writers Drusilla Modjeska and Kate Llewellyn forge a feminist aesthetic in which the binaries of nature/culture, male/female and bush/city co-exist. These texts depict Australia as a nation that no longer looks predominantly to Britain but is a hybrid and transcultural entity which embraces its rich migrant experience.' Source: Elizabeth Hicks,
Love and Vertigo : The Blue Mountains as Veranda in Australian Women's Writing Elizabeth Hicks , 2011 single work criticism
— Appears in: Antipodes , December vol. 25 no. 2 2011; (p. 171-175) The Blue Mountains have often been used as a backdrop in Australian literature. Elizabeth Hicks looks at several of these texts by Australian women which were written during the fifteen years between 1987 and 2002, a period which loosley corresponds to theat of third-wave feminism.
Mapping the Unpredictable: The Art of Kate Llewellyn Anne Gunter , 1992 single work criticism
— Appears in: Overland , Winter no. 127 1992; (p. 63-68)
Truth or Fiction Kate Llewellyn , 1990 single work criticism
— Appears in: Poetry Australia , Winter no. 126 1990; (p. 10-14)
VIEW ALL WORKS ABOUT (16)
Last amended 13 Apr 2015 13:11:45
Subjects:
Settings:
  • Queensland,
  • Northern Territory,
  • Wagga Wagga, Wagga Wagga area, Riverina - Murray area, New South Wales,
  • Leura, Blue Mountains, Sydney, New South Wales,
  • ca. 1981-1990
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