Cirrus@Austlit

'This paper examines how Ania Walwicz uses the protean nature of the prose poem as a medium through which to subvert traditional notions of identity, especially in terms of anxieties about gender and sexuality. According to Dominique Hecq (2009), the prose poem is able to negotiate ‘between notions of a public language of prose and a marginal language of poetry, thereby … enacting particularly complex modes of engagement between subjectivity and the world’. This paper argues that it is the slippery and transformative nature of the prose poem that lends itself so neatly to a politics of subversion. As a ‘borderline genre’ (Hecq 2009), the prose poem occupies an ambiguous space – it is self-conscious and critical yet immersive and seductive; a medium that offers a deceptive simplicity, or a shocking confrontation with otherness. Oftentimes, the prose poem is capable of both in the same instance. By exploring the prose poetry of Walwicz, this paper contends that rather than being understood as a ‘disturbing and elusive’ literary oddity (Delville 1998), the prose poem can be seen to contest formal traditions of both narrative and identity.'  (Publication abstract)

In a society where migration plays a significant role our identities become ambivalent to ourselves and only partly legible to others. This article will reflect on the role of the written word, political, social, and literary, as a narrative of multiple homes. Among the issues which determine the discourses and narratives of ‘multiple homes’ and ‘unhomely belonging’ are language and language politics (situational or real), beliefs about identities as solid and identifiable, constant border-crossings as central to many people’s lives, and the collision of social and cultural codes in the meanings and practices assigned to ‘the foreigner’.

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