'Based on the author’s end-to-end walk of the Cape to Cape Track (C2C), this article presents a literary history of the Leeuwin-Naturaliste region traversed by the trail. The C2C is a continuous, 135-kilometre coastal pedestrian path from Cape Naturaliste to Cape Leeuwin south of Perth in the south-west corner of Western Australia. A relatively short route by long-distance trekking standards, the C2C reverberates with literary narratives, incidents and encounters. In 1831, explorers John Dewar and Andrew Smith walked northbound from Augusta to the Swan River, approximately following the modern-day orientation of the track. Known for tempestuous weather, Cape Leeuwin—the southern terminus of the C2C, near Augusta, where the Indian and Southern Oceans converge—was the model for “Lewin’s Land” referenced in Jonathan Swift’s Gulliver’s Travels (1726) and later alluded to in D.H. Lawrence and Mollie Skinner’s The Boy in the Bush (1924). Drawing from theories of emplacement (de Certeau; Edensor; Gros; Ingold; Ingold and Vergunst; Merleau-Ponty; Michael; Solnit), this article describes walking as a medium for understanding the imbrications between bodies, landscapes, journeys, histories and stories.' (Publication abstract)
'Based on the author’s end-to-end walk of the Cape to Cape Track (C2C), this article presents a literary history of the Leeuwin-Naturaliste region traversed by the trail. The C2C is a continuous, 135-kilometre coastal pedestrian path from Cape Naturaliste to Cape Leeuwin south of Perth in the south-west corner of Western Australia. A relatively short route by long-distance trekking standards, the C2C reverberates with literary narratives, incidents and encounters. In 1831, explorers John Dewar and Andrew Smith walked northbound from Augusta to the Swan River, approximately following the modern-day orientation of the track. Known for tempestuous weather, Cape Leeuwin—the southern terminus of the C2C, near Augusta, where the Indian and Southern Oceans converge—was the model for “Lewin’s Land” referenced in Jonathan Swift’s Gulliver’s Travels (1726) and later alluded to in D.H. Lawrence and Mollie Skinner’s The Boy in the Bush (1924). Drawing from theories of emplacement (de Certeau; Edensor; Gros; Ingold; Ingold and Vergunst; Merleau-Ponty; Michael; Solnit), this article describes walking as a medium for understanding the imbrications between bodies, landscapes, journeys, histories and stories.' (Publication abstract)