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y separately published work icon A Week in the Future single work   novel   science fiction  
Issue Details: First known date: 1889... 1889 A Week in the Future
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AbstractHistoryArchive Description

'Emily Bethal is dying. The doctors give her two years at best. It will be two years of increasing pain and dependence. It is probably the dependence that Emily fears the most. She is independent, spirited and wilful. She has strong opinions and she knows the way the world works ... but she also knows how it should work. Is the deal worth it? Yes, she will avoid the two years of suffering and has traded it for for one week of living in the future. And the future she will see? The bright shiny wonderful and miraculous world of 1988. Yes 100 years into her own future takes her back to our recent past. See the wonders that Emily sees as she experiences a world that she just knows must exist for the betterment of all man ... and womankind.'

Source: 2010 Chimaera edition

Exhibitions

8907362
8857868

Contents

* Contents derived from the Sydney, New South Wales,:Hale and Iremonger , 1987 version. Please note that other versions/publications may contain different contents. See the Publication Details.
A Week in the Future: Prologue, Lesley Durrell Ljungdahl , single work criticism
Ljungdahl explores the extent to which this novel of ideas draws on Clapperton's Scientific Melioration. She highlights the social changes outlined in A Week in the Future, but notes that the optimistic solutions Spence finds for society's problems are only superficially dealt with.
(p. 7-17)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Serialised by: The Centennial Magazine 1888 periodical (27 issues)
      1889 .
      Note/s:
      • Serialised in the Centennial Magazine in 7 monthly instalments, January-July 1889.
      • This novel has been scanned and converted to text by optical character recognition software. Due to the age of the text and the difficulty of converting the text there are many errors in this version.
    • Sydney, New South Wales,: Hale and Iremonger , 1987 .
      person or book cover
      Image sourced from online
      Extent: 136p.
      Description: illus., bibliography.
      Note/s:
      • Contains cartoons, mostly from Punch and The Bulletin, and illustrations from The Centennial Magazine.
      • Edited and introduced by Lesley Durrell Ljungdahl.
      ISBN: 0868062995
    • Gloucester, Gloucestershire,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Dodo Press ,
      2008 .
      person or book cover
      Source: www.amazon.com
      Extent: 148p.
      ISBN: 1406591653, 9781406591651
    • Mount Waverley, Ashwood - Mulgrave area, Melbourne South East, Melbourne, Victoria,: Chimaera Publications , 2010 .
      person or book cover
      Source: www.andrewmckiernan.com
      Extent: iv, 132 pp.
      Note/s:
      • Introduction by Lucy Sussex
      ISBN: 9780975214374 (pbk.)
      Series: y separately published work icon Classic Australian SF Mount Waverley : Chimaera Publications , 2010 Z1755255 2010 series - publisher novel science fiction In these novels of speculative fiction, with new introductions from some of Australia's most notable writers and critics, Chimaera Publications has unearthed and reanimated a series of forgotten classics. Ranging from the 1880s to the 1930s, this selection shows the vital contribution that speculative fiction plays in Australia's literary history - an influence that continues until the present day. (Publisher blurb) Number in series: 5

Works about this Work

Settler Colonial Fictions : Beyond Nationalism and Universalism Paul Giles , 2023 single work criticism
— Appears in: The Cambridge Companion to the Australian Novel 2023; (p. 54-68)

'Paradoxically, Australian nationalist accounts have tended to slight the earliest Australian literature by white settlers from the nineteenth century. This chapter surveys the literary history of this period, examining writers such as Oliné Keese, Ada Cambridge, Henry Kingsley, Rosa Praed, and Catherine Helen Spence. Drawing connections between these writers and the transnational Anglophone literary world centering on Great Britain and the United States, this chapter takes a comparative perspective that at once acknowledges the peripheral standing of these Australian texts and argues for their relevance to the history of the novel in English.' (Publication abstract)

A Feminist, Imperialist Utopia: Sir Julius Vogel and Anno Domini 2000 Lucy Sussex , 2022 single work essay
— Appears in: Meanjin , June vol. 81 no. 2 2022; (p. 176-182) Meanjin Online 2022;
'Utopias are neither as popular nor as frequent as their dark mirror, dystopias. Projecting from today into the future, using the thought experiment of extrapolation '(if this goes on...)' tends to produce more pessimism than optimism. That is hardly surprising in our perennially anxious times. Nor are vintage utopias palatable to a modern audience: they can contain racism, eugenics, or happily exterminate most of the biosphere (as in Joseph Fraser's 1889 'Melbourne and Mars: My Mysterious Life on Two Planets'). What can seem perfection then can read like tedious hell now. Additionally, utopias are not easy to write well, as polemical perfection lacks conflict, tension, the inherent interest of the devil's party. Some have endured, like Plato's Republic, but it is certainly less read than 'The Handmaid's Tale' or 1984.' (Publication abstract)
Utopia and Utopian Studies in Australia Andrew Milner , Verity Burgmann , 2016 single work criticism
— Appears in: Utopian Studies , vol. 27 no. 2 2016; (p. 200-209)
'There are no independently Australian translations of Thomas More’s Utopia. Nor is there any equivalent in Australia to the Society for Utopian Studies in North America or the Utopian Studies Society in Europe. Nor are there any extant formal research groups or undergraduate or graduate courses in utopian studies. There are, however, distinctively Australian traditions of utopian writing, both eutopian and dystopian, and also a limited field of Australian utopian studies, essentially the work of individual scholars. This article attempts a brief description of both.' (Publication summary)
Untitled Susan Magarey , 2011 single work correspondence
— Appears in: The Weekend Australian , 5-6 February 2011; (p. 3)
Magarey diputes George Williams's account of the inspiration and sources for Spence's novel.
The Speculative Ghost of Futures Past George Williams , 2011 single work review
— Appears in: The Weekend Australian , 22-23 January 2011; (p. 20-21)

— Review of A Week in the Future Catherine Helen Spence , 1889 single work novel ; Classic Australian SF 2010 series - publisher novel
The Speculative Ghost of Futures Past George Williams , 2011 single work review
— Appears in: The Weekend Australian , 22-23 January 2011; (p. 20-21)

— Review of A Week in the Future Catherine Helen Spence , 1889 single work novel ; Classic Australian SF 2010 series - publisher novel
Alas, Life is so Unreasonable Myfanwy Gollan , 1988 single work review
— Appears in: The Sydney Morning Herald , 20 February 1988; (p. 73)

— Review of A Week in the Future Catherine Helen Spence , 1889 single work novel
Notes on Miss C. H. Spence 1896 single work criticism
— Appears in: The Sydney Mail , 20 June vol. 61 no. 1876 1896; (p. 1269)
'Miss Spence is the Australian Harriet Martineau and has the energy and love of work of her great prototype. She is the author of a socio-political novel "A Week in the Future"'.
Untitled Susan Magarey , 2011 single work correspondence
— Appears in: The Weekend Australian , 5-6 February 2011; (p. 3)
Magarey diputes George Williams's account of the inspiration and sources for Spence's novel.
A Week in the Future: Prologue Lesley Durrell Ljungdahl , 1987 single work criticism
— Appears in: A Week in the Future 1987; (p. 7-17)
Ljungdahl explores the extent to which this novel of ideas draws on Clapperton's Scientific Melioration. She highlights the social changes outlined in A Week in the Future, but notes that the optimistic solutions Spence finds for society's problems are only superficially dealt with.
Catherine Helen Spence, Unitarian Utopian Robin Berwick Walker , 1971 single work criticism
— Appears in: Australian Literary Studies , May vol. 5 no. 1 1971; (p. 31-41)
Walker examines the religious foundation of Spence's political and social ideas in the context of the colonial and British background. Spence's conversion to the Unitarian church enabled her to reject the idea of predestination taught by the Presbyterian church and believe that anyone can change and be saved. Spence's subsequent belief in a utopian society is reflected in much of her writing, providing a view quite different to the more well-known writers of the Bulletin school.
Catherine Helen Spence: Pragmatic Utopian Helen Thomson , 1983 single work criticism
— Appears in: Who Is She? 1983; (p. 12-25)
The author argues that the ideas Spence worked hard to disseminate were chiefly pragmatic; that she failed to understand the function of art and literature beyond the simply didactic. However, in her work, national pride found a definitive female voice for the first time.
Last amended 21 Mar 2022 12:41:40
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