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AbstractHistoryArchive Description
Wallace-Crabbe discusses the ways in which the stories of Joe Wilson and His Mates connect to produce a larger unified work. Lawson's self-analysis in this work provides many of the intertextual connections based primarily on biographical knowledge. The common element in these stories is Joe Wilson's attempts to "pull the threads of his past life into some shape".
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Time in Some Aussie and Kiwi Short Stories : Lawson, Baynton, Palmer, and Sargeson
2012
single work
criticism
— Appears in: Time and the Short Story 2012; (p. 105-118) 'The short story in Australia and New Zealand has flourished from the last decade of the nineteenth century onwards, and has been strictly bound to orality - yarns, yarn-spinning (Bennet 5) - from its early days, as the speech cadence of a usually sympathetic storyteller, either involved in the narrative, or simply an eye-witness or a bystander, interacting with listeners / readers, influences its time-scale, rhythm, tempo and structure.
A few significant stories by representative short-fiction writers from the late nineteenty century well into the mid-twentieth century - Australian Henry Lawson, Barbara Baynton, Vance Palmer, and New Zealand Frank Sargeson - though reflecting specific colonial realities and issues in a period of nation building, will be discussed here for their contribution to a relatively new genre, with specific regard to their treatment of time, changing from a traditional to a gradually experimental mode where they are sometimes forerunners or aware of modernist techniques.' (105)
-
Time in Some Aussie and Kiwi Short Stories : Lawson, Baynton, Palmer, and Sargeson
2012
single work
criticism
— Appears in: Time and the Short Story 2012; (p. 105-118) 'The short story in Australia and New Zealand has flourished from the last decade of the nineteenth century onwards, and has been strictly bound to orality - yarns, yarn-spinning (Bennet 5) - from its early days, as the speech cadence of a usually sympathetic storyteller, either involved in the narrative, or simply an eye-witness or a bystander, interacting with listeners / readers, influences its time-scale, rhythm, tempo and structure.
A few significant stories by representative short-fiction writers from the late nineteenty century well into the mid-twentieth century - Australian Henry Lawson, Barbara Baynton, Vance Palmer, and New Zealand Frank Sargeson - though reflecting specific colonial realities and issues in a period of nation building, will be discussed here for their contribution to a relatively new genre, with specific regard to their treatment of time, changing from a traditional to a gradually experimental mode where they are sometimes forerunners or aware of modernist techniques.' (105)
Last amended 27 May 2015 09:17:42
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Lawson's Joe Wilson : A Skeleton Novel
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Lawson's Joe Wilson : A Skeleton Novel
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Lawson's Joe Wilson : A Skeleton Novel
