'Clive Broderick, guitar-teacher and occultist - the Doubleman of the title of this acclaimed novel - is speaking of power, and of a realm beyond reality. This is a fable of the sixties, when shared belief-systems crumbled, and the spiritual bazaars of today opened up. Christopher Koch's theme is illusion; and all his characters are bound by it. The Rymers are an electric folk group enjoying mounting success in Sydney. Their producer, Richard Miller, came under Broderick's spell during his youth in Tasmania; so did the guitarists Brady and Burr. Now, years after his death, Broderick's presence remains with all three. Through his disciple, Burr, it will lead to nightmare.'
Source: Publisher's blurb (HarperCollins, 2013 ed.)
Writing Disability in Australia:
Type of disability | Poliomyelitis. |
Type of character | Primary. |
Point of view | First person. |
See C.A. Cranston's dissertation 'Deformity as Device in the Twentieth-century Australian Novel'.
'This unique book on neurocognitive interpretations of Australian literature covers a wide range of analyses by discussing Australian Literary Studies, Aboriginal literary texts, women writers, ethnic writing, bestsellers, neurodivergence fiction, emerging as well as high profile writers, literary hoaxes and controversies, book culture, LGBTIQA+ authors, to name a few. It eclectically brings together a wide gamut of cognitive concepts and literary genres at the intersection of Australian literary studies and cognitive literary studies in the first single-author volume of its kind. It takes Australian Literary Studies into the age of neuroawareness and provides new pathways in contemporary criticism.'
Source: Publisher's blurb.
'Author of six novels, Christopher John Koch (born in 1932) is one of Australia’s leading novelists who enjoys worldwide recognition. Koch’s writing has its finger on the pulse of today’s changing society. Not only does his work fall within a universal stream but it also stands out as a production of its own, built like a puzzle with distinct pieces. Through fiction, Koch explores other genres – the fairy tale, drama, poetry – to the point of producing multi-faceted works which challenge classification. In spite of the constant renewal of his settings for action, one notices the presence of a main thread which runs through Koch’s fiction: the antipodean and ambiguous relationship between illusion and reality.
'This theoretically informed monograph provides a book-by-book analysis of the novelist’s œuvre and gives a full picture of his Weltanschauung. It is valuable reference for scholars in Australian Studies, as well as those researching postcolonial, psychoanalytic and literary theories.
'This book is winner of the Excellence Award 2009 by the THESE-PAC jury (le prix THESE-PAC, Prix Jean-Pierre Piérard) in the South Pacific-Australasia category.'
(Publication summary)