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Notes
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After its appearance in The Weatherboard Cathedral and the 1976 Selected Poems, this poem is combined with 'The Wilderness'. All subsequent appearances are of the combined version which has dedication : For Peter Barden
Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Australia - the Space that Is Not One : A Literary Approximation
2007
single work
criticism
— Appears in: Australia : Making Space Meaningful 2007; (p. 27-43) 'Some dozen years ago, I rented a caravan in Adelaide for our family. It has a solid, glittering roo-bar in front and a prison-like wire-grating on the windscreen, fragmenting our view of the wide landscape into little safe squares. When we picked up that impressive vehicle, the rental manager routinely cautioned us that we should by all means stay on sealed roads, and he asked, just to make sure, "Are you going anywhere north of Port Augusta?" - "Yes," we said, "we would like to travel up to Alice and the Red Centre." - "Stuart Highway," he said, "but watch out, there's everything different there, you can get lost in no time, and you never know..." - "Know what?" we were about to ask, but that seemed too much of a sophistry in exchange for the goodly advise given by this good man, who did not look like a philosopher . Though a philosopher of sorts he may have been, following the thought-lines laid out through centuries of coping with dark and ill-defined spaces.' (Author's abstract)
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The Politics of Emotion
2007
single work
criticism
— Appears in: Overland , Winter no. 187 2007; (p. 26-32) -
Folie, Topography and Family in Murray's Middle-Distance Poems
2001
single work
criticism
— Appears in: Australian Literary Studies , October vol. 20 no. 2 2001; (p. 43-63) The article demonstrates that Murray's poems "of more than one or two pages but less than fifty or a hundred" have "modes and preoccupations in common: they are topographical poems in which the protagonist moves through a landscape observing and reflecting; or they are family memoirs and chronicles; or ... they are a combination of both" (p.43). The author also examines Murray's sympathy for the "Foucaultian crew of social outsiders ... marginalised by folie" (p. 49), which he sees as an energising force in the most successful of these poems.
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The Politics of Emotion
2007
single work
criticism
— Appears in: Overland , Winter no. 187 2007; (p. 26-32) -
Australia - the Space that Is Not One : A Literary Approximation
2007
single work
criticism
— Appears in: Australia : Making Space Meaningful 2007; (p. 27-43) 'Some dozen years ago, I rented a caravan in Adelaide for our family. It has a solid, glittering roo-bar in front and a prison-like wire-grating on the windscreen, fragmenting our view of the wide landscape into little safe squares. When we picked up that impressive vehicle, the rental manager routinely cautioned us that we should by all means stay on sealed roads, and he asked, just to make sure, "Are you going anywhere north of Port Augusta?" - "Yes," we said, "we would like to travel up to Alice and the Red Centre." - "Stuart Highway," he said, "but watch out, there's everything different there, you can get lost in no time, and you never know..." - "Know what?" we were about to ask, but that seemed too much of a sophistry in exchange for the goodly advise given by this good man, who did not look like a philosopher . Though a philosopher of sorts he may have been, following the thought-lines laid out through centuries of coping with dark and ill-defined spaces.' (Author's abstract)
-
Folie, Topography and Family in Murray's Middle-Distance Poems
2001
single work
criticism
— Appears in: Australian Literary Studies , October vol. 20 no. 2 2001; (p. 43-63) The article demonstrates that Murray's poems "of more than one or two pages but less than fifty or a hundred" have "modes and preoccupations in common: they are topographical poems in which the protagonist moves through a landscape observing and reflecting; or they are family memoirs and chronicles; or ... they are a combination of both" (p.43). The author also examines Murray's sympathy for the "Foucaultian crew of social outsiders ... marginalised by folie" (p. 49), which he sees as an energising force in the most successful of these poems.
Last amended 14 Nov 2002 10:09:47
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