The Witch of the Hebron: A Rabbinical Legend single work   poetry   "From morn until the setting of the sun"
  • Author:agent Charles Harpur http://www.poetrylibrary.edu.au/poets/harpur-charles
Issue Details: First known date: 1984... 1984 The Witch of the Hebron: A Rabbinical Legend
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Poetical Works of Charles Harpur Charles Harpur , Elizabeth Perkins (editor), Sydney : Angus and Robertson , 1984 Z459555 1984 selected work poetry satire 'This collection represents one version of almost every poem written by Charles Harpur, with the omission of some translations and paraphrases. The verse drama, "Stalwart the Bushranger", and the fragments of the dramatic poem "King Saul" are not included. ... The collection is edited from Harpur's manuscript poems held in the Mitchell Library, Sydney, and from printed copies in colonial newspapers when no manuscript version existed.' (Preface) Sydney : Angus and Robertson , 1984 pg. 923-971
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Related Works

The Witch of Hebron i "From morn until the setting sun", Charles Harpur , 2002 extract poetry (The Witch of the Hebron: A Rabbinical Legend)
— Appears in: Margin , July - August no. 57 2002; (p. 34-36)
VIEW ALL RELATED WORKS (1)

Works about this Work

A Rabbinical Legend and Colonial Masterpiece : Aspects of Charles Harpur's 'The Witch of Hebron' Phillip A Ellis , 2008 single work criticism
— Appears in: Studies in Australian Weird Fiction , no. 2 2008; (p. 27-31)
Charles Harpur's Disfiguring Origins : Allegory in Colonial Poetry Philip Mead , 1990 single work criticism
— Appears in: Australian Literary Studies , May vol. 14 no. 3 1990; (p. 279-296) Imagining Romanticism : Essays on English and Australian Romanticisms 1992; (p. 217-240) Mead examines the poetry of Charles Harpur in terms of the poet's attempt to move from colonial to national modes of expression. Mead proceeds by exploring the allegorical nature of some poems as signs of Harpur's attempt to exhibit the original Australian voice to which he aspired. But, allegoresis, Mead suggests, opposes the poet's romanticising of origins because of the gap between the signs of expression and the experience of the poet. What is found when one seeks "origins" in Harpur's poetry is not a "unitary or easily traceable historical origin" but the "divisions and anxieties" of Harpur's allegory.
Charles Harpur Frederick T. Macartney , 1923 single work criticism biography
— Appears in: The Bulletin , 25 January vol. 44 no. 2241 1923; (p. 2)
A Rabbinical Legend and Colonial Masterpiece : Aspects of Charles Harpur's 'The Witch of Hebron' Phillip A Ellis , 2008 single work criticism
— Appears in: Studies in Australian Weird Fiction , no. 2 2008; (p. 27-31)
Charles Harpur's Disfiguring Origins : Allegory in Colonial Poetry Philip Mead , 1990 single work criticism
— Appears in: Australian Literary Studies , May vol. 14 no. 3 1990; (p. 279-296) Imagining Romanticism : Essays on English and Australian Romanticisms 1992; (p. 217-240) Mead examines the poetry of Charles Harpur in terms of the poet's attempt to move from colonial to national modes of expression. Mead proceeds by exploring the allegorical nature of some poems as signs of Harpur's attempt to exhibit the original Australian voice to which he aspired. But, allegoresis, Mead suggests, opposes the poet's romanticising of origins because of the gap between the signs of expression and the experience of the poet. What is found when one seeks "origins" in Harpur's poetry is not a "unitary or easily traceable historical origin" but the "divisions and anxieties" of Harpur's allegory.
Charles Harpur Frederick T. Macartney , 1923 single work criticism biography
— Appears in: The Bulletin , 25 January vol. 44 no. 2241 1923; (p. 2)
VIEW ALL WORKS ABOUT (3)
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