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Publication Details of Only Known VersionEarliest 2 Known Versions of
Works about this Work
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Henry Kendall's 'Aboriginal Man' : Autochthony and Extinction in the Settler Colony
2010
single work
criticism
— Appears in: Modern Australian Criticism and Theory 2010; (p. 50-60) 'McCann shows how the poet Henry Kendall's dreams of establishing an Australian landscape are haunted at every turn by the indigenous presence...' Source: Modern Australian Criticism and Theory (2010) -
The Aboriginal in Early Australian Literature
1980
single work
criticism
— Appears in: Southerly , March vol. 40 no. 1 1980; (p. 45-63)'The depiction of aboriginals in early Australian literature, i.e., that written before 1850, resembles in many respects their pictorial depiction as outlined by Bernard Smith in European Vision and the South Pacific. Writers who attempted the longer literary forms on Australian themes — the epic poem or the novel — usually, like the landscape artists, placed the aboriginal to one side. He was part of the exotic background, representing for the post the old order which was rapidly giving way to the march of civilization, or, along with bushrangers, fire and Rood, providing the fiction writer with the necessary "adventures" to break up the drab monotony of outback life. Certain shorter pieces of prose and verse focused more directly on the aboriginal, In these he was often either refined and classicalized along the "noble savage" lines of Blake's engraving of an aboriginal family, or caricatured as a comic specimen of brute creation. During the eighteen—forties there are signs of a third, more realistic and anthropological, approach with the incorporation of aboriginal words into poems and attempts at detailed descriptions of their customs in prose, though still with traces of the old simplifications in the directions of refinement or comedy.' (Publication abstract)
-
Henry Kendall's 'Aboriginal Man' : Autochthony and Extinction in the Settler Colony
2010
single work
criticism
— Appears in: Modern Australian Criticism and Theory 2010; (p. 50-60) 'McCann shows how the poet Henry Kendall's dreams of establishing an Australian landscape are haunted at every turn by the indigenous presence...' Source: Modern Australian Criticism and Theory (2010) -
The Aboriginal in Early Australian Literature
1980
single work
criticism
— Appears in: Southerly , March vol. 40 no. 1 1980; (p. 45-63)'The depiction of aboriginals in early Australian literature, i.e., that written before 1850, resembles in many respects their pictorial depiction as outlined by Bernard Smith in European Vision and the South Pacific. Writers who attempted the longer literary forms on Australian themes — the epic poem or the novel — usually, like the landscape artists, placed the aboriginal to one side. He was part of the exotic background, representing for the post the old order which was rapidly giving way to the march of civilization, or, along with bushrangers, fire and Rood, providing the fiction writer with the necessary "adventures" to break up the drab monotony of outback life. Certain shorter pieces of prose and verse focused more directly on the aboriginal, In these he was often either refined and classicalized along the "noble savage" lines of Blake's engraving of an aboriginal family, or caricatured as a comic specimen of brute creation. During the eighteen—forties there are signs of a third, more realistic and anthropological, approach with the incorporation of aboriginal words into poems and attempts at detailed descriptions of their customs in prose, though still with traces of the old simplifications in the directions of refinement or comedy.' (Publication abstract)
