image of person or book cover 6043336022926623765.jpg
This image has been sourced from online.
y separately published work icon Forbidden Steps Under the Wisteria single work   novel   fantasy  
Issue Details: First known date: 1999... 1999 Forbidden Steps Under the Wisteria
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Sydney, New South Wales,: Abbott Bentley , 1999 .
      image of person or book cover 6043336022926623765.jpg
      This image has been sourced from online.
      Extent: 246p.
      ISBN: 095860911X

Works about this Work

Intergenerational War Memories and Exile in Beatriz Copello’s Forbidden Steps Under the Wisteria Andrea Roxana Bellot , 2020 single work criticism
— Appears in: Journal of the European Association for Studies of Australia , vol. 11 no. 2 2020;

'This article explores the politics of memory and identity in Beatriz Copello’s novel Forbidden Steps Under the Wisteria (1999). Copello was born in Rosario, Argentina, and emigrated to Australia in the early 1970s. Her semi-autobiographical novel explores the lives of three generations of women through a long migratory journey from Russia via Europe and America, coming to an end in Australia. The main plotline follows the story of Gabriela from her birth to her father’s death in a car crash during her teenage years. The novel’s experimental character and peculiar writing style moves from the symbolic and imaginary world of oneness with nature to the real world of prohibitions and the loss of innocence, and to becoming a woman. It also intertwines issues of identity, place, and time. Through her depiction of traumatic as well as inspiring memories, Copello finds a voice of her own which emerges through her ancestors’ experiences of war and her own exile to a new sense of reconciliation and belonging. Copello’s novel will be discussed within the context of Jacques Lacan’s approximations on language, identity and the symbolic realm.'

Source: Abstract.

Soundings from Downunder : Argentine Maturations Nicholas Birns , 2000 single work review
— Appears in: Antipodes , June vol. 14 no. 1 2000; (p. 67)

— Review of Forbidden Steps Under the Wisteria Beatriz Copello , 1999 single work novel
From Fractured Fairytale to Tango Anna Maria Dell'Oso , 1999 single work review
— Appears in: Australian Women's Book Review , vol. 11 no. 1999; (p. 6)

— Review of Forbidden Steps Under the Wisteria Beatriz Copello , 1999 single work novel
From Fractured Fairytale to Tango Anna Maria Dell'Oso , 1999 single work review
— Appears in: Australian Women's Book Review , vol. 11 no. 1999; (p. 6)

— Review of Forbidden Steps Under the Wisteria Beatriz Copello , 1999 single work novel
Soundings from Downunder : Argentine Maturations Nicholas Birns , 2000 single work review
— Appears in: Antipodes , June vol. 14 no. 1 2000; (p. 67)

— Review of Forbidden Steps Under the Wisteria Beatriz Copello , 1999 single work novel
Intergenerational War Memories and Exile in Beatriz Copello’s Forbidden Steps Under the Wisteria Andrea Roxana Bellot , 2020 single work criticism
— Appears in: Journal of the European Association for Studies of Australia , vol. 11 no. 2 2020;

'This article explores the politics of memory and identity in Beatriz Copello’s novel Forbidden Steps Under the Wisteria (1999). Copello was born in Rosario, Argentina, and emigrated to Australia in the early 1970s. Her semi-autobiographical novel explores the lives of three generations of women through a long migratory journey from Russia via Europe and America, coming to an end in Australia. The main plotline follows the story of Gabriela from her birth to her father’s death in a car crash during her teenage years. The novel’s experimental character and peculiar writing style moves from the symbolic and imaginary world of oneness with nature to the real world of prohibitions and the loss of innocence, and to becoming a woman. It also intertwines issues of identity, place, and time. Through her depiction of traumatic as well as inspiring memories, Copello finds a voice of her own which emerges through her ancestors’ experiences of war and her own exile to a new sense of reconciliation and belonging. Copello’s novel will be discussed within the context of Jacques Lacan’s approximations on language, identity and the symbolic realm.'

Source: Abstract.

Last amended 5 Mar 2015 15:51:54
X