Hating Alison Ashley
( dir. Geoff Bennett
)
2005
Australia
:
HAA Films
,
2005
Z1220999
2005
single work
film/TV
humour
young adult
'Erica Yurken, certain of her glittering career on the stage and her place in the world, is upstaged and forced to come to grips with her own reality when Alison Ashley arrives at the school. A comedy about the trials and tribulations of schoolyard rivalries, embarrassing family situations and the awkwardness of teenage years.'
Source: Screen Australia. (Sighted: 4/12/2013)
Hating Alison Ashley : The Play
1987
(Manuscript version)x401181
Z859298
1987
single work
drama
young adult
Hating Alison Ashley
( dir. Geoff Bennett
)
2005
Australia
:
HAA Films
,
2005
Z1220999
2005
single work
film/TV
humour
young adult
'Erica Yurken, certain of her glittering career on the stage and her place in the world, is upstaged and forced to come to grips with her own reality when Alison Ashley arrives at the school. A comedy about the trials and tribulations of schoolyard rivalries, embarrassing family situations and the awkwardness of teenage years.'
Source: Screen Australia. (Sighted: 4/12/2013)
Elements of Carnival and the Carnivalesque in Contemporary Australian Children's Literature
Sydney
:
2009
27495428
2009
single work
thesis
'This thesis discusses the influence of elements of Bakhtinian camivalesque in selected contemporary Australian children’s literature. Many of the Bakhtinian ideas are centred on the work of Franqois Rabelais, particularly his five books collectively entitled Gargantua and Pantagruel. Aspects of the complex field of Bakhtinian camivalesque that have been considered include: attitudes to authority, the grotesque body and its working, the importance of feasting and the associated concepts of bodily functioning, customs in relation to food, and ritual and specific language such as the use of curses and oaths. The role of humour and the manifest forms this takes within carnival are intrinsic and are discussed at some length. These central tenets are explored in two ways: first, in relation to their connection and use within the narrative structures of a selection of books short listed (and thus critically acclaimed) by the Australian Children’s Book Council from the early 1980s to the early 2000s, and second, by means of contrast, to the commercially popular but generally less critically acclaimed works of other Australian writers such as Paul Jennings and Andy Griffiths. The thesis concludes by considering the ways in which camivalesque freedom is encouraged through and by new media.'
Source: Abstract.
Elements of Carnival and the Carnivalesque in Contemporary Australian Children's Literature
Sydney
:
2009
27495428
2009
single work
thesis
'This thesis discusses the influence of elements of Bakhtinian camivalesque in selected contemporary Australian children’s literature. Many of the Bakhtinian ideas are centred on the work of Franqois Rabelais, particularly his five books collectively entitled Gargantua and Pantagruel. Aspects of the complex field of Bakhtinian camivalesque that have been considered include: attitudes to authority, the grotesque body and its working, the importance of feasting and the associated concepts of bodily functioning, customs in relation to food, and ritual and specific language such as the use of curses and oaths. The role of humour and the manifest forms this takes within carnival are intrinsic and are discussed at some length. These central tenets are explored in two ways: first, in relation to their connection and use within the narrative structures of a selection of books short listed (and thus critically acclaimed) by the Australian Children’s Book Council from the early 1980s to the early 2000s, and second, by means of contrast, to the commercially popular but generally less critically acclaimed works of other Australian writers such as Paul Jennings and Andy Griffiths. The thesis concludes by considering the ways in which camivalesque freedom is encouraged through and by new media.'
Source: Abstract.
