Sisyphus single work   poetry   "I choose my boulders carefully,"
  • Author:agent Alex Skovron http://www.poetrylibrary.edu.au/poets/skovron-alex
Issue Details: First known date: 1990... 1990 Sisyphus
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Sydney Review no. 23 April 1990 Z603681 1990 newspaper issue 1990 pg. 13
  • Appears in:
    y separately published work icon The Adelaide Review no. 74 March 1990 Z617176 1990 periodical issue 1990 pg. 18
  • Appears in:
    y separately published work icon Sleeve Notes Alex Skovron , Sydney : Hale and Iremonger Golvan Arts , 1992 Z491119 1992 selected work poetry satire Sydney : Hale and Iremonger Golvan Arts , 1992 pg. 9

Works about this Work

The Elephant in the Clock : A Personal Fantasia Alex Skovron , 2014 single work criticism
— Appears in: Axon : Creative Explorations , July vol. 4 no. 1 2014;
'An exploration of the author’s abiding interest in the nature of time, memory, the force of the past, and the promptings of nostalgia. His speculations touch on notions of the past’s ‘reachability’, the question of fate and free will, and more implicitly on the impulse to faith and transcendence. The discussion is counterpointed with a range of examples from his poetry in which these concerns are foregrounded or implied.' (Publication abstract)
The Elephant in the Clock : A Personal Fantasia Alex Skovron , 2014 single work criticism
— Appears in: Axon : Creative Explorations , July vol. 4 no. 1 2014;
'An exploration of the author’s abiding interest in the nature of time, memory, the force of the past, and the promptings of nostalgia. His speculations touch on notions of the past’s ‘reachability’, the question of fate and free will, and more implicitly on the impulse to faith and transcendence. The discussion is counterpointed with a range of examples from his poetry in which these concerns are foregrounded or implied.' (Publication abstract)
Newspapers:
    Powered by Trove
    X