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y separately published work icon Worse than Death single work   novel   crime  
Note: "Written [by Jean Bedford] in collaboration with Tom Kelly".
Issue Details: First known date: 1991... 1991 Worse than Death
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
Also published in large print format

Works about this Work

Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111)
In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
Guilt Edge J. R. Carroll , 1994 single work review
— Appears in: Australian Book Review , November no. 166 1994; (p. 63-64)

— Review of Signs of Murder Jean Bedford , 1994 single work novel ; The Disappearances of Madalena Grimaldi Marele Day , 1994 single work novel ; To Make a Killing Jean Bedford , 1992 single work novel ; Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Jean Bedford Turns to Crime Stuart Coupe (interviewer), 1992 single work interview biography
— Appears in: Mean Streets : A Quarterly Journal of Crime, Mystery and Detection , August no. 7 1992; (p. 34-35)
Untitled Robert Hood , 1991 single work review
— Appears in: Mean Streets : A Quarterly Journal of Crime, Mystery and Detection , May no. 3 1991; (p. 60-61)

— Review of Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Detective Story Hard to Put Down Nick Talbot , 1991 single work review
— Appears in: The Newcastle Herald , 20 April 1991; (p. 12)

— Review of Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Guilt Edge J. R. Carroll , 1994 single work review
— Appears in: Australian Book Review , November no. 166 1994; (p. 63-64)

— Review of Signs of Murder Jean Bedford , 1994 single work novel ; The Disappearances of Madalena Grimaldi Marele Day , 1994 single work novel ; To Make a Killing Jean Bedford , 1992 single work novel ; Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Forecasts Jane Messer , 1990 single work review
— Appears in: Australian Bookseller & Publisher , December-January (1990-1991) vol. 70 no. 1011 1990; (p. 18)

— Review of Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Out to Lunch Jane Stephens , 1991 single work review
— Appears in: Australian Book Review , February-March no. 128 1991; (p. 15)

— Review of Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Soft-Boiled Detective Novel Jeff Popple , 1991 single work review
— Appears in: The Canberra Times , 9 March 1991; (p. B9)

— Review of Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Detective Story Hard to Put Down Nick Talbot , 1991 single work review
— Appears in: The Newcastle Herald , 20 April 1991; (p. 12)

— Review of Worse than Death Jean Bedford , Tom Kelly , 1991 single work novel
Issues of Class and Gender in Australian Crime Fiction : From the 1950s to Today Rachel Franks , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 96-111)
In this chapter, Rachel Franks notes ‘‘Australian crime fiction writers imported many types of crime fiction from Britain, including the gothic mystery and the Newgate novel, and from America, including the locked room mystery and the spy story.’ She observes how Australian crime fiction has changed along with the ‘societies that produce it.’ She concludes that for Australian crime fiction to be attractive to mass market and an assured popularity, Australian crime fiction writers must respond ‘to the changing demands of their readers,’ and ‘continue to develop the genre with increasingly sophisticated stories about murderers and those who bring them to justice.’ (Editor’s foreword xii)
Jean Bedford Turns to Crime Stuart Coupe (interviewer), 1992 single work interview biography
— Appears in: Mean Streets : A Quarterly Journal of Crime, Mystery and Detection , August no. 7 1992; (p. 34-35)
Last amended 22 Oct 2018 14:30:24
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  • Sydney, New South Wales,
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