Wanna be White single work   poetry   "My man took off yesterday"
Issue Details: First known date: 1986... 1986 Wanna be White
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

Metapolitics vs. Identity Politics : (Re-)Radicalising the Postcolonial Penelope Pitt-Alizadeh , Ali Alizadeh , 2013 single work criticism
— Appears in: Southerly , vol. 73 no. 1 2013; (p. 57-74)

'Postcolonialism may be defined as a theoretical framework for reading and appreciating cultural production between normative Western "forms of social explanation" and "more complex cultural and political boundaries" that demarcate responses to this normativity (Bhabha 248) As such, this framework has been extremely beneficial for, among other things, introducing and highlighting the work of writers from non-Western cultural backgrounds, particularly Indigenous and multicultural or diasporic writers whose works convey conceptual and aesthetic themes and values at once foreign and responsive to Western European literary modalities. Thanks to postcolonial theory and associated methodologies, a very diverse range of writers from a host of cultural origins and locations has been accepted by and incorporated into most, if not all, Western academic and literary milieus.' (Authors' introduction.)

Metapolitics vs. Identity Politics : (Re-)Radicalising the Postcolonial Penelope Pitt-Alizadeh , Ali Alizadeh , 2013 single work criticism
— Appears in: Southerly , vol. 73 no. 1 2013; (p. 57-74)

'Postcolonialism may be defined as a theoretical framework for reading and appreciating cultural production between normative Western "forms of social explanation" and "more complex cultural and political boundaries" that demarcate responses to this normativity (Bhabha 248) As such, this framework has been extremely beneficial for, among other things, introducing and highlighting the work of writers from non-Western cultural backgrounds, particularly Indigenous and multicultural or diasporic writers whose works convey conceptual and aesthetic themes and values at once foreign and responsive to Western European literary modalities. Thanks to postcolonial theory and associated methodologies, a very diverse range of writers from a host of cultural origins and locations has been accepted by and incorporated into most, if not all, Western academic and literary milieus.' (Authors' introduction.)

Last amended 15 Sep 2017 14:27:09
Newspapers:
    Powered by Trove
    X