George D. Parker George D. Parker i(A94315 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 form y separately published work icon Grandad Rudd Vic Roberts , George D. Parker , ( dir. Ken G. Hall ) Sydney : Cinesound Productions , 1935 Z362149 1935 single work film/TV humour Dad Rudd is a grandfather and a prosperous grazier employing his sons Dave, Joe, and Dan at low wages.
Tired of being treated poorly the sons threaten to leave. Dad increases their wages but raises their rent by an equal amount. When eldest grandchild Betty announces her intention to marry Henry Cook, Dad supports suitor Tom Dalley in his efforts to expose Cook as a liar with a conviction in his past.

[Source: Australian Screen]

1 4 form y separately published work icon Strike Me Lucky Vic Roberts , George D. Parker , ( dir. Ken G. Hall ) Sydney : Cinesound Productions , 1934 Z1253782 1934 single work film/TV

The storyline centres on the friendship between Mo, who is broke and behind in his rent, and Miriam, a young girl who claims to be an orphan, but who is in fact the runaway daughter of a rich aristocrat, Major Burnett. Mo is unaware that a large reward has been offered, but gangster Al Baloney and Mae West impersonator Kate plot to take the girl from him in order to get the money.

While Mo and his sidekick Donald undertake a series of disastrous attempts at finding employment, they inadvertently thwart the kidnap attempts. Miriam eventually leads Mo to the mansion where she lives but he is blamed for her disappearance and flees with Donald into the bush on a bicycle.

During their quest to find an old goldmine, the pair undertake various adventures, including being attacked by a tribe of Aborigines whom they take for cannibals. When they finally make it back to the city, they find that they have been cleared of any charges and the major throws a spectacular ball in Mo's honour.

A subplot involves a romance between a young couple, while the production itself includes a Busby Berkeley-style spectacle complete with 150 dancers.

1 3 form y separately published work icon Cinesound Varieties Vic Roberts , George D. Parker , ( dir. Ken G. Hall ) Sydney : Cinesound Productions , 1934 8201823 1934 single work film/TV

A variety film made by director Ken G. Hall for Cinesound Productions, Cinesound Varieties was initially screened as a support to the full-length feature, The Silence of Dean Maitland (1934). Presented in two parts the first, "Evolution of a Waltz," has music director/composer W. Hamilton Webber and the 30-piece State Orchestra demonstrate the evolution of the waltz. The second part, "Nautical Nonsense" is a musical revue featuring more than 60 variety artists and musicians, including comedian Fred Bluett and his Boy Scouts (as Sydney pirates), Tom Katz and His Saxophone Band, Angela Parselles (soprano), the Lowell Bros, the Cinesound Octette, and the Cinesound Beauty Ballet.

[Source: Australian Variety Theatre Archive]

X