Geoffrey Milne Geoffrey Milne i(A9339 works by) (a.k.a. G. Milne)
Born: Established: 16 Feb 1945 Western Australia, ; Died: Ceased: 11 Apr 2013 Melbourne, Victoria,
Gender: Male
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Works By

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1 Australian Theatre in the 1980s : Trends and Movements Geoffrey Milne , 2014 single work criticism
— Appears in: Australasian Drama Studies , April no. 64 2014; (p. 9-22)
1 Reviews Geoffrey Milne , 2011 single work review
— Appears in: Australasian Drama Studies , no. 59 2011; (p. 201-203)
— Review of Circus : The Australian Story Mark St Leon , 2011 single work criticism
1 Untitled Geoffrey Milne , 2009 single work review
— Appears in: Australasian Drama Studies , April no. 54 2009; (p. 202-204)
— Review of Nick Enright : An Actor's Playwright 2008 anthology criticism biography
1 Untitled Geoffrey Milne , 2009 single work review
— Appears in: Australasian Drama Studies , April no. 54 2009; (p. 197-200)
— Review of Performance and Cosmopolitics : Cross-Cultural Transactions in Australasia Helen Gilbert , Jacqueline Lo , 2007 single work criticism
1 Lighthouse : A 'Mainstage' Ensemble Experience Geoffrey Milne , 2008 single work criticism
— Appears in: Australasian Drama Studies , October no. 53 2008; (p. 42-57)
1 Puppetry as Cultural Exchange in Indigenous Communities Geoffrey Milne (interviewer), 2007 single work interview
— Appears in: Australasian Drama Studies , October no. 51 2007; (p. 90-103) In this conversation, which is based on a paper given by McKendrick at the Second National Puppetry Summit in Hobart, 2006, the focus is mainly on eight projects undertaken in Australia and its territories, some in remote communities and some close to the city of Perth. These projects included 'Werr Dinh Marn' (Lily Ponds), 'Long Tucker, Slow Yarn', Goorlil Niminggarr' (Shadow of the Turtle), 'Island Shadows', 'Limestone Connection' and 'Walyalup Dreaming'.
1 Untitled Geoffrey Milne , 2006 single work review
— Appears in: Australian Literary Studies , October vol. 22 no. 4 2006; (p. 523-525)
— Review of Not Wrong Just Different : Observations on the Rise of Contemporary Australian Theatre Katharine Brisbane , 2005 single work criticism
1 Promoting Agency or 'Stepping-Stones R Us'? : Recent Melbourne Youth Theatre Geoffrey Milne , 2005 single work criticism
— Appears in: Australasian Drama Studies , October no. 47 2005; (p. 121-139) The paper focuses on 'a range of youth theatre practice in Melbourne since the last years of the 1990s. ... It examines a mixture of extant works, or plays specially commissioned for youth companies, and others that are devised by members of the companies with assistance from professional writers and dramaturgs' (121). The author is interested in the 'youth-specificity' of the works performed, the working relationships writers and dramaturgs have with the young people, and the efficacy of the works as theatre and as youth theatre.
1 Young People and Performance in Australia and New Zealand Mary Ann Hunter , Geoffrey Milne , 2005 single work criticism
— Appears in: Australasian Drama Studies , October no. 47 2005; (p. 3-13)
1 1 y separately published work icon The Space Between : The Art of Puppetry and Visual Theatre in Australia Peter J. Wilson , Geoffrey Milne , Sydney : Currency Press , 2004 Z1174234 2004 selected work non-fiction
1 4 y separately published work icon Theatre Australia (Un)Limited : Australian Theatre Since the 1950s Australian Theatre Since the 1950s Geoffrey Milne , Amsterdam New York (City) : Rodopi , 2004 Z1112860 2004 single work criticism Theatre Australia (Un)limited examines the structures of post-war Australian theatre: its artists, companies, financial and policy underpinnings. It analyses three 'waves' of Australian theatrical activity after 1953, and the types of organisations which grew up to support and maintain them. 'Subsidy, repertoire patterns, finances and administration, theatre buildings, companies, festivals and notable productions of the commercial, mainstream and alternative Australian theatre are examined state by state, and changes to governmental policy analysed. Theatrical forms comprise not only spoken-word drama, but also music theatre, comedy, theatre-restaurant, circus, puppetry, community theatre in several forms and new mixed-media genres: physical theatre, circus, visual theatre and contemporary performance.' The book provides an overview of the fortunes of Australian theatre as a national enterprise, and an analysis of the 'three waves' essential for the understanding of the New Wave and of contemporary drama. (Adapted from the publisher's website)
1 Feeding the Habit Geoffrey Milne , 2003 single work criticism
— Appears in: Eureka Street , March vol. 13 no. 2 2003; (p. 50-51) Theatre critic Geoffrey Milne discusses the attractions of live theatre.
1 Challenging the Critics Geoffrey Milne , 2002 single work criticism
— Appears in: Muse , August no. 220 2002; (p. 3)
1 No Drama, It's the Bard's Man Geoffrey Milne , 2002 single work review
— Appears in: The Sydney Morning Herald , 30 November - 1 December 2002; (p. 10-11)
— Review of John Bell : The Time of My Life John Bell , 2002 single work autobiography
1 Seasonal Pickings Geoffrey Milne , 2001 single work column
— Appears in: Eureka Street , December vol. 11 no. 10 2001; (p. 42-43)
1 Untitled Geoffrey Milne , 2001 single work review
— Appears in: Australasian Drama Studies , April no. 38 2001; (p. 98-101)
— Review of A Beautiful Life Michael Futcher , Helen Howard , 1998 single work drama
1 Untitled Geoffrey Milne , 2001 single work review
— Appears in: Australasian Drama Studies , April no. 38 2001; (p. 98-101)
— Review of Crazy Brave Michael Gurr , 2000 single work drama
1 Untitled Geoffrey Milne , 2000 single work review
— Appears in: Australasian Drama Studies , April no. 36 2000; (p. 133-137)
— Review of Secret Bridesmaids' Business Elizabeth Coleman , 1999 single work drama
1 Untitled Geoffrey Milne , 2000 single work review
— Appears in: Australasian Drama Studies , April no. 36 2000; (p. 133-137)
— Review of Chilling & Killing My Annabel Lee Aidan Fennessy , 1999 single work drama
1 Changing Stages Geoffrey Milne , 2000 single work column
— Appears in: Eureka Street , November vol. 10 no. 9 2000; (p. 40-41)
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