Desmond Manderson Desmond Manderson i(A9007 works by)
Born: Established: 1960 Finley, Tocumwal - Jerilderie area, Riverina - Murray area, New South Wales, ;
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 y separately published work icon Yunupingu's Song Desmond Manderson , 2023 26915805 2023 single work podcast

'In this week’s ABR Podcast, Desmond Manderson takes us back sixty years to the 1963 Yirrkala Bark Petition drafted by Yolngu leader Yunupingu. The Yirrkala petition called for constitutional recognition of Indigenous rights and can be seen as an antecedent to the Uluru Statement from the Heart. Desmond Manderson is Director of the Centre for Law, Arts and Humanities at the Australian National University. Here he is with ‘Yunupingu’s song: Constitutions as acts of vision, not of division’, published in the September issue of ABR.' (Production summary)

1 Yunupingu's Song : Constitutions as Acts of Vision, Not of Division Desmond Manderson , 2023 single work essay
— Appears in: Australian Book Review , September no. 457 2023; (p. 24-26)

'From the age of fifteen until his recent death at the age of seventy-four, the great Yolngu leader Yunupingu (1948–2023) was at the forefront of the struggle to change the Australian legal system in unprecedented ways. In 1963, with his father, Mungurrawuy, he drafted the Yirrkala Bark Petition, which presented to Parliament an eloquent claim for the rights of the Indigenous peoples of Arnhem Land before their country was, without their consent, turned into a bauxite mine. The Bark Petition was no ordinary document. On the one hand, it uses the antiquated language of a traditional ‘humble petition’ to Parliament, concluding in forms of speech that have hardly changed since the seventeenth century: ‘And your petitioners as in duty bound will ever pray.’' (Introduction)

1 y separately published work icon Twenty Minutes with the Devil Luis Gómez Romero , Desmond Manderson , 2022 Strawberry Hills : Currency Press , 2022 24738135 2022 single work drama 'On a lonely desert road in the dead of night, highway police Angela and Romulo are a team - sort of. Romulo is a shambles. Angela’s all business. But then they stop a speeding car and discover a man stripped to his undershirt and covered in filth.' 

  (Production summary)

1 Bubbles : Covid and Its Metaphors Desmond Manderson , Lorenzo Veracini , 2020 single work
— Appears in: Meanjin , Spring vol. 79 no. 3 2020;

'Viruses and colonialism are hand in glove, to posit an unsanitary metaphor. As Jared Diamond writes in Guns, Germs and Steel, his bestselling global history, European colonisation, particularly in the Americas and Australasia, cannot be understood without reference to the terrible, at times genocidal, ravages of disease on indigenous societies. Yet at the same time, and in a bitter irony, anxieties about disease and dirt were used to justify invasion, racial discrimination and paternalist colonial laws. While European germs wiped out indigenous communities, it was colonised subjects who were constructed as the harbingers of disease. The colonial project was imagined not just as a religious, moral and economic mission, but as an exercise in public health.' (Introduction)

1 I Must Know i "And were there birds in those days,", Desmond Manderson , 1987 single work poetry
— Appears in: Overland , September no. 108 1987; (p. 57) 1987 Anthology of Australian Poetry 1987; (p. 109)
1 The Color of the Sky i "Why care about what happens to this world?", Desmond Manderson , 1987 single work poetry
— Appears in: Overland , December no. 109 1987; (p. 14)
X