Gregory Hill Gregory Hill i(A86847 works by)
Gender: Male
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Works By

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1 y separately published work icon When We're Not Afraid : My 12,000 Km Bike-packing Ride through South America Leonie Katekar , Gregory Hill , Melbourne : Melbourne Books , 2023 26081006 2023 single work autobiography

'Leonie Katekar left behind her past and confronted her fears by immersing herself in a foreign world and embarking on a 12,000km solo bike-packing expedition through South America.

'When We're Not Afraid is told with an insight that enthrals and inspires how to confront fears that many of us have. It is a story for anyone disillusioned with their life and wanting to be brave enough to face the question - What would I do if I was not afraid?' (Publication summary)
1 Louisa/Louella Gregory Hill , 2004 single work short story
— Appears in: Aurealis : Australian Fantasy and Science Fiction , no. 33/34/35 2004; (p. 120-133)
1 y separately published work icon The Use of Ideas and Ideologies in the Characterization and Dramatic Structure of the Early Novels of Christina Stead Gregory Hill , Canberra : 1978 19358816 1978 single work thesis 'The appearance in recent years of a paperback edition of The Man Who Loved Children - a Penguin "Modern Classics" edition - has contributed to a growing awareness among Australian readers of the international recognition that the work of Christina Stead now commands. To many Australian readers of this edition it may have come as a surprise to find that Christina Stead was born and raised in this country, In the past Stead has generally been considered worthy of mention in histories of Australian literature as the author of Seven Poor Men of Sydney, her first novel, which has long been regarded as something of a landmark of modernism in the Australian novel. Stead left Australia at quite an early age, however, and all of her novels have been written and published, and most of them set, in foreign countries. It was inevitable, then, but nonetheless unfortunate that her later achievements in the novel were largely overlooked by Australian critics, who apparently ceased to regard Stead and her novels as part of Australia's literary tradition.' (Introduction, first paragraph)
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