Cirrus@Austlit

'Costas Taktsis, arguably the most important post-war Greek writer, called himself a Sacred Monster, and his life-long friend Carl Plate – an important painter, Gallerist and influencer of modern art in Sydney – the Colossus of Woronora.

'‘You get a very aromatic sense of this great cross-pollination of cultures, and what a hip cast of characters! (Powys and Oblomov!!) And the letters supply specificity like nothing else – details, voice, intimacy.

'It’s great. How the drab Edwardian monochrome of the post-war years, gets a sweep of colour on islands of creativity, dazzled landscapes … terrific links (London, Paris, Ireland, Athens, Hydra, Sydney), and entanglements and – because we know the end  – one senses the drama of forces  – beyond anyone’s control – under the sunny availability of youth. A fantastic work of cultural history.’
– George Alexander'

(Source: publisher's blurb)

'This interview with film-makers Carolyn Strachan and Allesandro Cavadini focuses on their collaboration with the Borroloola Aboriginal community in the making of Two Laws (1981). They explain why they chose to ‘surrender’ directorial control to the community and how this action led to the unique form and style of this documentary. The detailed and frank discussion of the complex processes of collaboration, what Marcia Langton once called the‘actual dialogue’ of cross-cultural film production, deepens our appreciation of this unique group-authored film. It also allows us to consider how film in general can function meaningfully as a site of cross-cultural exchange.'  (Introduction)