Cirrus@Austlit

'A passionate love story and an honest depiction of the self-deceptions we create to sustain the idea of connection.

'Set between England and India, Faithless tells the story of Cressida, a writer and translator, and her consuming love for Max, an enigmatic older writer – and a married man.

'Faithless charts the course of Cressida’s passion for Max from the first giddy rush of sensation when she meets him during her first year at Cambridge, to the blossoming of a desire so potent it overwhelms her, and the great stunning blows to the heart delivered by this love she must keep hidden.

'When Cressida meets Leo, she is forced to confront the tension between a life of passion and a desire for ease, between her romantic idealism and the possibility of a more steady, attainable happiness.

'Alongside the story of Cressida and Max, is the tale of Flora, a child who finds her way into Cressida’s life and heart, and forces her to confront her own capacity for love, and for deception.

'Faithless is both a passionate love story and a reflection on the nuances of attachment, the nature of desire, the different kinds of connections and relationships that sustain us, and the ways that we deceive ourselves and others and, finally, reach stumblingly toward one another.'  (Publication summary)

'Halfway through Lucy Neave’s new novel Believe in Me, there is an astonishing scene in which an orphaned foal is dressed in the skin of a newly dead foal, the skewbald coat threaded with baling twine and the strings knotted under the throat and chest. Disguised in this fleshy coat, strands of bloody muscle still clinging to it, the foal is presented hopefully to its foster mother. The novel’s main protagonist, Bet, is sceptical: ‘It’s condescending: as if a mare could be fooled by putting her dead foal’s skin on another foal.’ Sure enough, the grieving mare rejects the starving foal, stamping her hooves and moving around uneasily in the stable. Later that night, when Bet goes to check on the animals, she finds them nestled together: ‘Dark shapes, they moved together, away from me, as though they’d been startled from a dream.’ Stunned at this unexpected communion, Bet retreats into her own solitude: ‘I turned off the light, bolted the door and walked back through dew-soaked grass to bed, seeing again the mare and foal, nose to tail. They had no need of me.’' (Introduction)

'The poet Anne Michaels once wrote that when love finds us, our pasts suddenly become obsolete science. All the secret places left fallow by loneliness are flooded with light and the immanence of the longed-for one draws us into the clearing, stains us with radiance. Yeats’s wing-footed wanderer arrives at last and the miraculous restorations of love and the imperatives of desire render our separate pasts ‘old maps, disproved theories, a diorama’.' (Introduction)

'A young Aboriginal girl wears an abaya because she wants to see how it feels to inhabit someone else’s experience, someone else’s history. An exiled Iraqi musician plays a piano in a shopping centre in suburban Melbourne. Native Americans protesting the construction of a pipeline on their traditional lands are shot at with water cannons and rubber bullets. Countries are lost, sacred sites invaded by careless tourists, lines on maps exclude and dispossess, sacrifices and compromises are made, and individual lives are disfigured by historical circumstance.'(Introduction)

'What does it mean to live in a place but never to fully belong to it? How does our capacity for intimacy alter when we are in exile? How do we forge an identity among haphazard collisions of cultures and histories?'  (Introduction)

'In the first few pages of Cedar Valley, a group of women gather together to console one another after a calamitous event shatters the predictable languor of their small rural town. Pulling chairs into a circle, they pour glasses of brandy in the soft light of early evening and reflect on the day’s events, offering succour and speculation as the sky darkens around them. It is this compelling sense of community, with its intricate webs and unexpected bonds, its deep sweetness and complicated anguish, that is at the heart of Holly Throsby’s new novel. Cedar Valley is essentially a charming epic of intimacy; it is this moving affirmation of the sustaining grace of community that animates and enlivens this impressive work.'  (Introduction)

'Half a century ago, the Palestinian writer Edward Said described the state of exile as ‘the unhealable rift forced between a human being and a native place, between the self and its true home’. Its essential sadness, he believed, was not surmountable. The crippling sorrows of exile and estrangement, and the disfiguring legacies of intergenerational trauma, pervade Katherine Johnson’s powerful new novel. At its heart, it is also a poignant exploration of our stumbling efforts to seek solace in the world and the ways in which we attempt to overcome dislocation.' (Introduction)

'Marina, 'the gypsy scholar', a writer and academic, and her psychoanalyst husband, Jacob, were each born on a kibbutz in Israel. They meet years later at a university in California, Marina a grad student and Jacob a successful practitioner and teacher who has a young son, Ben, from a disastrous marriage. The family moves to a brownstone in Harlem, formerly a shelter run by elderly nuns.

'Outside the house one day Marina encounters Constance, a young refugee from Rwanda, and her toddler, Gabriel. Unmoored and devastated, Constance and Gabriel quickly come to depend on Marina; and her bond with Gabriel intensifies.

'When out of the blue Marina learns some disturbing news about her mother, Gizela, she leaves New York in search of the loose ends of her life. As Christmas nears, her tight-knit, loving family, with Constance and Gabriel, join Marina in her mother's former home, with a startling, life-changing consequence.'   (Publication summary)

As the Holocaust recedes in time and the last living witnesses to its terrible memory pass from the world, it becomes ever more important to listen to the stories of the survivors. To listen and attend and remember. Award-winning writer Alice Nelson presents and powerful collection of fourteen narratives by local Holocaust survivors. Each individual's account of the war years – and of the life that followed – tells a deeply personal story that affirms the resilience of the human spirit. [Trove]