Cirrus@Austlit

'Ernest Cunningham returns in a deliciously witty locked room (train) mystery.

'When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.

'The program is a who’s who of crime writing royalty:

the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer.

'But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime.

'Or commit one.

'How can you find a killer when all the suspects know how to get away with murder?'

Source: Publisher's blurb.

'I was dreading the Cunningham family reunion even before the first murder.

'Before the storm stranded us at the mountain resort, snow and bodies piling up.

'The thing is, us Cunninghams don’t really get along. We’ve only got one thing in common: we’ve all killed someone.

My brother.
My step-sister
My wife
My father
My mother
My sister-in-law
My uncle
My stepfather
My aunt
Me'

Source: Publisher's blurb.

'It’s bedtime when monsters come out in search of food. With all that noise and those strange smells, sleeping is out of the question. So how can the monsters be stopped from ruining a good night’s sleep when it’s annual Monster Day and they just want to celebrate? Maybe it’s time to join them!' (Publication summary)

'Maxwell Sim seems to have hit rock bottom. Estranged from his father, newly divorced, unable to communicate with his only daughter, he realizes that while he may have seventy-four friends on Facebook, there is nobody in the world with whom he can actually share his problems.

'Then a business proposition comes his way - a strange exercise in corporate PR that will require him to spend a week driving from London to a remote retail outlet on the Shetland Isles. Setting out with an open mind, good intentions and a friendly voice on his SatNav for company, Maxwell finds that this journey soon takes a more serious turn, and carries him not only to the furthest point of the United Kingdom, but into some of the deepest and darkest corners of his own past.

'In his sparkling and hugely enjoyable new book Jonathan Coe reinvents the picaresque novel for our time.' (From the publisher's website.)

'Anna Funder's utterly compelling first novel All That I Am is about the heroic and largely tragic fate of a small group of left-wing German activists who opposed the rise of Hitler. It centres on two real people: the playwright Ernst Toller (famously eulogized by his friend W H Auden), and one of his associates, Ruth Koplowitz. Ruth was also a friend of Toller, and came to live in Sydney after WW2, where Anna got to know her well in later life. Their lives were tied together by the charismatic, passionate Dora - All That I Am vividly, passionately and irresistibly brings back to life their struggles, their hopes, their fears and their fates.'

Source: Penguin News, 6 October 2010
Sighted: 11/10/2010

'Olivier is a young aristocrat, one of an endangered species born in France just after the Revolution. Parrot, the son of an itinerant English printer, wanted to be an artist but has ended up in middle age as a servant.

When Olivier sets sail for the New World - ostensibly to study its prisons, but in reality to avoid yet another revolution - Parrot is sent with him, as spy, protector, foe and foil. Through their adventures with women and money, incarceration and democracy, writing and painting, they make an unlikely pair. But where better for unlikely things to flourish than in the glorious, brand-new experiment, America?

A dazzlingly inventive reimagining of Alexis de Tocqueville's famous journey, Parrot and Olivier in America brilliantly evokes the Old World colliding with the New. Above all, it is a wildly funny, tender portrait of two men who come to form an almost impossible friendship, and a completely improbable work of art.' (From the publisher's website.)

To write this non-fiction work about life in the former East Germany, Anna Funder interviewed former Stasi officers and the people they surveilled. Described in the National Library of Australia record as 'A book of travel, history and biography that reads like a documentary novel,' Stasiland takes 'a deliberately subjective and "literary" approach' to its material with an 'emphasis on a sympathetic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'When the boy was almost eight a woman stepped out of the elevator into the apartment on East 62nd Street and he recognized her straight away. It was the smell his heart knew - patchouli, jasmine, other stuff. .. That was pretty typical of growing up with Grandma Selkirk. No one would dream of saying, here is your mother returned to you. His Illegal Self is the story of Che. Raised in isolated privilege by his New York grandmother, he is the precocious son of radical student activists at Harvard in the late sixties. Yearning for his famous outlaw parents, denied all access to television and the news, he takes hope from his long haired teenage neighbour who predicts, They will come for you, man. They'll break you out of here.

'Soon Che too is an outlaw, fleeing down subways, abandoning seedy motels at night, he is pitched into a journey that leads him to a hippy commune in the jungle of tropical Queensland. Here he slowly, bravely, confronts his life, learning that nothing is what it seems. Who is his real mother? Was that his real father? If all he suspects is true, what should he do?' (Publisher's blurb)

'Between the publication of The Home Girls, in 1982, and her death, Olga Masters was acclaimed as one of Australia's finest writers. Her short stories, distinguished by their acute observation of human behaviour, drew comparison with the finest exponents of the form, such as Chekhov.

'The Home Girls is a collection of candid, witty stories about rural and suburban life. Set in the mid-twentieth century, these are tales of ordinary people and domestic life. Masters was, as the Advertiser remarked, 'a natural storyteller'. ' (Publication summary)

'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.

'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.

'Now in her seventies, Nora returns to Queensland to settle into her childhood home.

'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.

'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)