Gloria Foreman Gloria Foreman i(A7606 works by)
Born: Established: Toodyay, Toodyay - Goomalling - Wongan Hills area, Southwest Western Australia, Western Australia, ;
Gender: Female
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Works By

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1 The Look in the Tiger's Eyes i "The tiger behind bars", Gloria Foreman , 1998 single work poetry
— Appears in: Sudden Alchemy : Selected Australian Poetry 1998; (p. 69)
1 Spring Mourning i "Spring is a sad time for dying.", Gloria Foreman , 1998 single work poetry
— Appears in: Sudden Alchemy : Selected Australian Poetry 1998; (p. 52)
1 Unposted Letter to a Quiltmaker i "Quixotic friend I miss you, safe in my garden", Gloria Foreman , 1994 single work poetry
— Appears in: The Naked Pomegranate : Collected Women's Writing , no. 4 1994; (p. 7)
1 Clematis i "Clematis, an opportunist lacemaker", Gloria Foreman , 1994 single work poetry
— Appears in: Going Down South : A Selection of Poems and Short Stories Entered in the 1994 South West Literary Awards Volume III 1994; (p. 30)
1 Tai Chi Class i "To an onlooker it could seem incongruous", Gloria Foreman , 1994 single work poetry
— Appears in: Fremantle Arts Review , February/March vol. 9 no. 1 1994; (p. 18)
1 Country Dance i "After the Gypsy Tap, the Barn Dance", Gloria Foreman , 1993 single work poetry
— Appears in: Going Down South : A Selection of Poems and Short Stories Entered in the 1993 South West Literary Awards Volume II 1993; (p. 86)
1 A Winter of Discontent i "They were green and lambswool lined,", Gloria Foreman , 1993 single work poetry
— Appears in: Fremantle Arts Review , April/May vol. 8 no. 4 & 5 1993; (p. 13)
1 Elephant's Breakfast i "It was breakfast time for the elephants", Gloria Foreman , 1993 single work poetry
— Appears in: Fremantle Arts Review , February/March vol. 8 no. 2 & 3 1993; (p. 17)
1 Dolphins - Koombana Bay i "In the distance they undulate", Gloria Foreman , 1992 single work poetry
— Appears in: Going Down South : A Selection of Poems and Short Stories Entered in the 1992 South West Literary Awards 1992; (p. 31)
1 Caravan Retirement i "She wonders why they are always moving on,", Gloria Foreman , 1992 single work poetry
— Appears in: Fremantle Arts Review , August/September vol. 7 no. 8 & 9 1992; (p. 12)
1 Smoke Signal i "The caravan was all the dowry he gave her.", Gloria Foreman , 1992 single work poetry
— Appears in: Fremantle Arts Review , April/May vol. 7 no. 4 & 5 1992; (p. 10)
1 Big Bell i "Houseless streets are lonely,", Gloria Foreman , 1991 single work poetry
— Appears in: Fremantle Arts Review , December and vol. 6 no. 1 January vol. 5 no. 12 1991; (p. 15)
1 The Outlook for Pigs i "The outlook for pigs is not good", Gloria Foreman , 1990 single work poetry
— Appears in: Quadrant , January-February vol. 34 no. 1-2 1990; (p. 107)
1 My Sister and Tai Chi i "Watching you, second sister moving", Gloria Foreman , 1990 single work poetry
— Appears in: Fremantle Arts Review , February vol. 5 no. 2 1990; (p. 8)
1 Her last years i "I remember Grandma", Gloria Foreman , 1990 single work poetry
— Appears in: Private Entrance : Women Write of Change and Challenge, of Being and Becoming, of Beginnings and Endings 1990; (p. 66-67) Sudden Alchemy : Selected Australian Poetry 1998; (p. 131-132)
1 Stock Taking i "I am hanging a closed sign outside", Gloria Foreman , 1989 single work poetry
— Appears in: Fremantle Arts Review , April vol. 4 no. 4 1989; (p. 8)
1 The Pearling Camp i "A cliff edge dance floor adrift in time;", Gloria Foreman , 1989 single work poetry
— Appears in: Wordhord : A Critical Selection of Contemporary Western Australian Poetry 1989; (p. 231)
1 Nursing Home Visit i "Outside is spring,", Gloria Foreman , 1989 single work poetry
— Appears in: Wordhord : A Critical Selection of Contemporary Western Australian Poetry 1989; (p. 230)
1 Spinsters i "Behind the starched lace curtains", Gloria Foreman , 1988 single work poetry
— Appears in: Fremantle Arts Review , February vol. 3 no. 2 1988; (p. 6)
1 Abandoned Homestead i "The town took the children", Gloria Foreman , 1988 single work poetry
— Appears in: Quadrant , December vol. 32 no. 12 1988; (p. 48)
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