Cirrus@Austlit

'A famous writer travels to the remote, windswept islands of Scotland's Outer Hebrides looking for peace of mind and a chance to dispel his inner demons.

'On the way, a car accident throws him together with the raven-haired doctor Kathleen McNeil. He also falls in with the Red Wolf, a man who lives by the old codes—some of them violent. As a love triangle develops, the refined, civilised writer finds himself pitted against the rough-hewn man of nature.

'Summer of the Red Wolf is an epic story for a modern age; a fast-paced narrative in a rugged landscape, driven by the timeless themes of love and jealousy.'

Source: Publisher's blurb (Allen & Unwin, 2017).

'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)

'The house on the marshes...

Born illegitimate, Jane Howard inherits nothing but the fiery hair and indomitable spirit of her mother's family, the Blakes. Yet when exquisite, extravagant Anne Blake dies, it is Jane who disposes of the debt-ridden London household.

She goes to Blake's Reach, the ancient marsh fastness of the Blakes, where the smugglers who prowl the marshes befriend her.

Then Charles Blake returns, an aristocrat fleeing the French Rebolution, and lays claim to Blake's Reach...' (Publisher's blurb)

'Set in a Roman Catholic diocese,...Three Cheers for the Paraclete is about the dilemma of the rebel who knows that established authority is wrong but doesn't know how to put it right because he is himself too much a part of it. It is also about a critical religious issue...the conflict between a new generation which sees religious truth as something that must change with the world, and an establishment which sees it as fixed and immutable.

In the character of young Father Maitland, scholar and humanitarian, many readers will recognize a lost hero of our time. Others, perhaps, will see only an arrogant intellectual, and something of a heretic. But almost everyone will identify with one side or the other of the conflict into which Father Maitland's beliefs and sympathies draw him - a conflict with his superiors which threatens to destroy him both as a priest and as a man.' (Source: dustjacket, 1968 Angus and Robertson edition)

'Twenty chests of minted Spanish gold in a sunken galleon—this is the lure that brings historian Renn Lundigan to a tiny island off Australia's Great Barrier Reef.

'Renn enlists islander Johnny Akimoto to teach him scuba diving, but soon realises there's a far greater danger in the reef than the sharks. Gambling den owner Manny Mannix has followed him to the island, and now he threatens not only Renn and Johnny, but also the beautiful young scientist Pat Mitchell.

'Gallows on the Sand is a fast-paced story of high adventure, with the rich characterisation that made Morris West one of the bestselling writers of his day.'

Source: Publisher's blurb (Allen & Unwin, 2017).

'In a valley deep in the highlands of New Guinea lives a small colony of Europeans. One of them is Kurt Sonderfield, a doctor with a shady past who will stop at nothing to get what he wants.

N'Daria is a hauntingly beautiful native girl whom Sonderfield has trained in the art of seduction. Kumo is a young sorcerer who has fallen under Sonderfield's sway. Only two dare oppose Sonderfield: the old French missionary Pere Louis, and Gerda, the wife Sonderfield has betrayed.

'As the passions and power plays of the Europeans collide with ancient highland magic, the beat of the kundu drums thunders through the valley, bringing the story to an explosive climax.'

Source: Publisher's blurb (Allen & Unwin, 2017).

'A moving exploration of the meaning of faith, and a vivid portrayal of life in impoverished post-war Calabria.'

Source: Publisher's blurb (Allen & Unwin, 2017).

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

'Here is an unforgettable woman. A woman as strong and as beautiful as the raw new country she helps to carve from the wilderness. A woman of fierce pride, yet gently devoted to her children, and possessed with an undying vision about the future of her land, Sara Dane epitomizes the heart of her untamed country - Australia.

'Set in the colorful days of the late Eighteenth and the early Nineteenth Centuries, Sara Dane unfolds the history of New South Wales, from its beginnings as a penal colony to the day when it could lift its head in contentment and peace.

'From the day in 1792 when young Sara, savagely sentenced in England to transportation on a trumped-up charge, came ashore at Botany Bay, until the day she returns triumphantly wealthy and prominent to her native London, her story rings with the fire of a great passion.

'Sara's story is also the story of the men who loved her - Richard Barwell, her childhood love who possessiveness followed her thousands of miles; Andrew Maclay, whose strength and cunning combined with hers to produce an empire; Jeremy Hogan, the Irish rebel, whose presence meant security as Sara faced the crises of convict outbreaks, giant floods, and armed rebellion with resolution. And then there was Louis de Bourget, the mysterious French emigre' whose love for her beauty and order brought a peace to Sara's life she had thought impossible.

'But throughout her life, Sara held to her own personality tenaciously. All of Sydney knew her as a shrewd business-woman, magnificent, unconventional - but above all, a woman. ' (Publication summary)