Peter Denney Peter Denney i(A69250 works by)
Gender: Male
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Works By

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1 Sensing Empire: Travel Writing, Picturesque Taste and British Perceptions of the Indian Sensory Environment Peter Denney , 2021 single work criticism
— Appears in: Transcultural Ecocriticism : Global, Romantic and Decolonial Perspectives 2021;
1 Thinking about Transcultural Ecocriticism: Space, Scale and Translation Stuart Cooke , Peter Denney , 2021 single work criticism
— Appears in: Transcultural Ecocriticism : Global, Romantic and Decolonial Perspectives 2021;
1 1 y separately published work icon Transcultural Ecocriticism : Global, Romantic and Decolonial Perspectives Stuart Cooke (editor), Peter Denney (editor), New York (City) : Bloomsbury Academic , 2021 25542709 2021 anthology criticism

'Bringing together decolonial, Romantic and global literature perspectives, Transcultural Ecocriticism explores innovative new directions for the field of environmental literary studies. By examining these literatures across a range of geographical locations and historical periods – from Romantic period travel writing to Chinese science fiction and Aboriginal Australian poetry – the book makes a compelling case for the need for ecocriticism to competently translate between Indigenous and non-Indigenous, planetary and local, and contemporary and pre-modern perspectives. Leading scholars from Australasia and North America explore links between Indigenous knowledges, Romanticism, globalisation, avant-garde poetics and critical theory in order to chart tensions as well as affinities between these discourses in a variety of genres of environmental representation, including science fiction, poetry, colonial natural history and oral narrative.' (Publication summary)

1 Picturesque Farming : The Sound of ‘Happy Britannia’ in Colonial Australia Peter Denney , 2012 single work criticism
— Appears in: Cultural Studies Review , vol. 18 no. 3 2012; (p. 85-108)
'This essay examines the way in which the British landscape tradition influenced perceptions of sound, noise and silence in colonial Australia, focusing on representations of rural soundscape in art and literature. It argues that poets and artists attempted to recreate an image of Australia as a new 'Happy Britannia', a noisy society engaged in virtuous agricultural labour. But this image was opposed to the prevailing taste for picturesque landscape, which accorded little value to human activity and placed great emphasis on silent, rural scenery. Accordingly, colonial perceptions of soundscape were ambivalent, as human-produced noise was heard as both a sign of the progress of civilisation and an obstacle to the spread of cultural refinement.' (Author's abstract)
1 'Botanising on the Asphalt' : Australian Modernity and the Street Politics of Kenneth Slessor Peter Denney , 2002 single work criticism
— Appears in: Journal of Australian Studies , no. 72 2002; (p. 159-165, notes 281-283)
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